abstract painting KH#325 Painting

My artistic practice follows the quiet dialogue between color and form—rooted in Concrete Art, yet guided by an inner rhythm of its own. Each work emerges from the meeting of geometric clarity and the tactile presence of the material. I use high-quality Belgian linen, which I prime by hand to establish a sensitive foundation for the color. Pigments are then applied in delicate, translucent layers, allowing the hues to gain depth and radiance. The linen’s natural texture remains perceptible, not as a background but as an active voice within the composition. What results are works that are both self-contained and resonant—calm in their geometry, yet vibrating in their color. My studies in painting, composition, and color theory at the Wiesbadener Freie Kunstschule and the Freie Kunstakademie Frankfurt continue to shape my artistic path.