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#metoo: Davide with the head of Goliath Painting

vanessa jongebloet

Netherlands

Painting, Oil on Canvas

Size: 49.2 W x 76.8 H x 1 D in

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$7,550

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About The Artwork

I hate violence. I wish we would be a more peaceful species, and less inclined to dominate and suppress other beings. Ironically, the paradox is that sometimes violence is needed to avoid violence, or to simply defend ourselves under attack. In classical art the theme of the oppressed fighting his suppressor was painted a number of times by Carravagio, using the David & Goliath figures. In his ‘David with the head of Goliath’ we see David who beheaded Goliath and is looking down on him not with triomf but with compassion, a man who didn’t kill out of hate or rage, but because he wouldn’t be oppressed. I wanted to use the theme in this painting as a metaphor for the position of women today. For woman emancipation, so much is accomplished and yet there is so much left to do. The beheaded goliath in my painting doesn’t stand for ‘man’ but for the patriarchy system both woman and man are the victims of. A system that evolved over thousands of years, that we are all part of, and that has to change for everybody’s sake. The Davide in my painting is a woman who shows the strength and compassion, the feminine power we need to change this system. Especially with the rise of alt-right movements worldwide we must make sure our daughters and granddaughters don’t end up as handmaids. We have to be vigilant not to let achievements slip away, and stay firm.. The head of Goliath in my painting is a copy of the original Caravaggio painting, the model for ‘Davide’ is Kaouthar Darmoni, one of Hollands most prominent and inspiring contemporary feminists.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:49.2 W x 76.8 H x 1 D in

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Born in Amsterdam in 1969, I was trained as a decorative painter and worked doing faux marble finishing, gilding and other decorative techniques while exploring in my own paintings on canvas new ways to paint and express my vision of the world. Today I use traditional oil paint and epoxy resin, among other components, to create thick river stone-shaped canvasses, with a lot of depth, representing organic structures, which I see as the ‘Structures of Life’ and my portraits. Beside my commissioned work, I like to work on an underground layer of broken fresco. The breaking patterns give the portrait depth, like it tells a story of it's own.

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