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Bunker in Normandy - Limited Edition of 8 Photograph



Photography, Color on Canvas

Size: 47 W x 31 H x 0.1 D in

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About The Artwork

I now share a lot with painters. I adopted the maxim of Serge Poliakoff (1953): "Abstract art is like a big tree whose branches are moved by the winds. It allows freedom of mind to flourish and man to express himself, free from the limits of figurative conventions". I believe in humility and honesty, in the light-color-form-material quartet to lead me to abstraction. The instinct that creates so many voluntary accidents and the greatest sources of emotional propositions. "For me the instinct is of unconscious perfection and my paintings live with conscious imperfection" Nicolas de Stael used to believe. In perfect communion of spirit, I lay my photons on canvas as if it was the second half of his life. This is the Harmony project. I regularly exhibit only in large format on canvas. Looking forward to sharing on This photograph belongs to the Harmony project viewable on The artwork is 80cm by 120cm, printed on hi-quality canvas on a 2cm wooden frame into an American matt-black box. Certificate of authenticity provided.

Details & Dimensions

Photography:Color on Canvas

Artist Produced Limited Edition of:8

Size:47 W x 31 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My two favorite painters made each a statement about John Cage. The latter brought legitimity to their creativity. In 1966 Nicolas de Staël declared : « Can a painting nothing else? I do not know. All life is cruel because one is never sensitive enough. Cage is breath ». 40 years later, in 2006, Gerhard Richter completed the Cage series consisting of 6 artworks. He admitted making his own the famous John Cage's formula : « I have nothing to say, and I am saying it ». If I may paraphrase these two icones, I have nothing to say but a shy post-scriptum. Discover the exclusive Limited Edition of ONE only available for the Post-Scriptum collection. LensCulture about ALBEDO: "You have given us images that exist at the intersection of photography and painting. I understand that these images are also based on the concept of "albedo" which is the reflecting property of a surface—one without dimension. Your most complex images are the most compelling. I am drawn more toward your photographs that present a visual mystery. Ones where it takes a moment or two to identify the human form and the various shapes from nature. There are some very strong images in this project Jerome. Congratulations on your success this far. I encourage to keep on this track". Lens Culture about Harmony: "This series of abstracts have been framed in a very interesting way. You took a meaningful approach that stands out as looking through a unique lens. The images really stand out here for the strong use of color and contrast." Born on July 14th, 1962, I passed my photography degree in 1987. My first professional life allowed me to travel a lot and to practice my passion for photography, made of humanist features in black and white. Right on the day of my 50th birthday, I decided to reverse the priorities by spending the rest of my life solely on photography. Thus was born the project Love (2012-2015) published by the Eye of Photography. In 2016, I meet the French master Raymond Depardon who congratulates me for my work and encourages me. Like him, I discover color late, and my artistic proposal is moving towards less figurative and more abstraction. I adopt the famous quote by Serge Poliakoff: "Abstract art is like a big tree whose branches are moved by the winds. It allows freedom of spirit to flourish and man to express himself, free from the limits of figurative conventions”.

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