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Printmaking, Screenprinting on Silk
Size: 54 W x 71 H x 1 D in
Ships in a Crate
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Impermanence of the physical pt 3 is one part of a whole. This piece was originally made as one large 6 meter print. It has been divided into three sections. P3 represents the evolution of the weaving. Coming to part 3 we could assume that that is the closure, the end, the finality. But the lesson of p3 is that its never over. The work is continues, its ongoing, p3 it just another point in the process of change but its the point where we are a little wiser and have been through a little more. Every time we enter a new phase we enter with a new sense of knowing and meaning. But it doesn’t mean that this is the phase where everything finally is perfect. Perfection is in the contentment that everything is always perfect even when it doesn’t seem to be by the perceived eye. This point of the tapestry to me feels heavy and woven. It feels like many layers coming together, some things revealing, concealing, changing tone, texture, colour, breaking through. But this point feels to me like an advanced state of learnt experience. It represents that the weaving is always ongoing and there are lessons to always be learnt and we are not the ones to determine finality.
Printmaking:Screenprinting on Silk
Original:One-of-a-kind Artwork
Size:54 W x 71 H x 1 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Janine Saul (b. 1997, London) is a conceptual textile artist. Janine's intrigue in the art of screen-printing stemmed from an interest in the possibilities of creating dimension and texture on fabric surfaces. By challenging the traditionally linear formula of the screen-printing process through manipulating screens, creating resists, and developing dye formulas, Janine has cultivated an experimental practice that implements her discoveries to create form-focused, layered outcomes rooted in depth and emotion. While playing with textural quality by pushing the boundaries of print, Janine's work is heavily informed by her lifestyle as a world traveller, gathering inspiration and teachings from around the world to create intricate pieces that aim to understand the many layers and constructions of the human experience, using colour and dimension to embody a space, time, moment and feeling. Describing her approach to creation as a desire to 'bring the invisible to the visible', Janine's work aims to reveal what happens in the spaces beyond the perceived eye. Through spatial installations, Janine employs movement to expose, conceal and reveal spaces to ourselves. Through her travels, Janine has positioned her work in diverse locations from the remote jungle of Mexico to conventional gallery spaces and has exhibited globally across London, New York, Mexico, Peru, France, Italy, and Greece.
Artist featured by Saatchi Art in a collection
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