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Still Life: Three Pears Print

Marie Laywine

United Kingdom

Open Edition Prints Available:
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Canvas

Canvas

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16 x 12 in (€81)

16 x 12 in (€81)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

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No Frame

White (€115)

Black (€115)

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€81

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A still life drawing on paper of three pears in a bowl using charcoal and chalk. The drawing is framed in a matte black frame with a gold spacer to keep the glass from touching the paper. A non-reflective glass allows for strokes of charcoal to be properly seen. Ready to hang.

Year Created:

1999

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I was born in Canada and have been living and painting in the UK for 30 years. My studio is in Abbotsbury, a 600 year old village in south west Dorset. This is where I work and exhibit my paintings. Viewing is by appointment only. In my painting I work with what I call the 'interior landscape'; I use images and ideas from my dreams to help me represent visually the mountain ranges and coastal plains inside a person. It takes time and reflection to collect this information and then develop it as an image. I build the image up slowly on paper, board or canvas, using materials dictated by the image and its complexity. I apply the paint with a palette knife, followed by layers of transparent glazes. This process is repeated until the desired textural effect is achieved. This sometimes means that a work will remain 'in progress' for several years. I like to refer to this process as an "archaeological dig" on a psychic level. My travels were a period of time when I was able to increase my knowledge in both dream material, exterior landscape and culture. I have lived and worked in several very different parts of the world: Florence, Italy: home of the Renaissance Period; Quimper, Brittany, France: working with the dream symbol active in the exterior landscape. Middle East: the horizon line in the desert has similar characteristics with the dream - continuously changing in shape and movement. The Himalayas: dreams are very different at this height. This gave me the idea that there is a space where dream and life meet. Great Britain: exploring the space where dream and life meet and translating that information into an image.

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