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Absit (The Optical of the Rears) Drawing

Brett Mohr

Drawing, Graphite on Paper

Size: 75.6 W x 54.6 H x 2.5 D cm

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ABOUT THE ARTWORK
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Description: "This was probably one of my most thought out pieces; the gate and the etched words at the top of the building are optical illusions."Medium: Pencil on PaperYear Created: 2001

Year Created:

2017

Subject:
Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

75.6 W x 54.6 H x 2.5 D cm

Ready to Hang:

Not Applicable

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Born in 1976 in Queens, New York.I also have interests in several areas, including music, psychology, philosophy, math and science.I have always been intrigued by aspects of life that are dark and enigmatic mostly because it's innate in people to be scared of the unknown. My interest in music, writing and art have for the most part been ones of a cryptic aesthetic, thus these interests are perceived as esoteric, inasmuch as striking fear in people. The majority of my work is thought to be done arbitrarily...initially. Even though seemingly rendered in a vacuum, all my work contains profound, unintentional meaning. In other words, drawn subconsciously under the influence of the circumstances at the time; this included isolation that resulted in feelings of anger, depression and alienation that is reflected in my work and is only now apparent. What I find alluring is that I won't comprehend a piece's purpose until months or even years later! When I reminisce the circumstances in my life that coerced me to draw, I realize a piece's deep, innate meaning that weren't even intended during the work's creation. I love that I can stare at a piece of artwork and ponder on what each aspect of it means. This enables art to never become boringthe speculation and life of it is virtually infinite. Hence, with the use of painstaking optical illusions, creating objects and creatures that don't or can't exist in physics as we know it and even creating new physics is how I attempt to create something 'different'. This is a deifying experience while creating.

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