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Having no car, after painting in the city I go home by train, then by bike. This painting is about waiting at a good day of work's ending.

The work is from same series and same day as the one uploaded before, light and misty. Maybe a little sad in a positive way.

The work is on a proper panel, plywood backed by a solid pine frame.
Having no car, after painting in the city I go home by train, then by bike. This painting is about waiting at a good day of work's ending.

The work is from same series and same day as the one uploaded before, light and misty. Maybe a little sad in a positive way.

The work is on a proper panel, plywood backed by a solid pine frame.
Having no car, after painting in the city I go home by train, then by bike. This painting is about waiting at a good day of work's ending.

The work is from same series and same day as the one uploaded before, light and misty. Maybe a little sad in a positive way.

The work is on a proper panel, plywood backed by a solid pine frame.
Having no car, after painting in the city I go home by train, then by bike. This painting is about waiting at a good day of work's ending.

The work is from same series and same day as the one uploaded before, light and misty. Maybe a little sad in a positive way.

The work is on a proper panel, plywood backed by a solid pine frame.
Having no car, after painting in the city I go home by train, then by bike. This painting is about waiting at a good day of work's ending.

The work is from same series and same day as the one uploaded before, light and misty. Maybe a little sad in a positive way.

The work is on a proper panel, plywood backed by a solid pine frame.

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94

View In My Room

Lateness Painting

Christian Kabuß

Germany

Painting, Priming White on Wood

Size: 95 W x 88 H x 3.2 D cm

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$3,755USD

Shipping included

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1915 Views

94

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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After an art workday, I usually take the train out of town. This painting is about the waiting time at the station after a good day. Train delay and shops beyond the store close lead the self back to themselves. I'm coming to rest. Confidence begins, even if, it seems, it is based on a little sadnes...

Year Created:

2010

Subject:
Mediums:

Painting, Priming White on Wood

Rarity:

One-of-a-kind Artwork

Size:

95 W x 88 H x 3.2 D cm

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

As honest as possible, with all wits and senses, with body and soul, layer by layer from the primal ground on towards a surprising imagery off the beaten tracks. My foundations as an artist were laid during my era as a city draftsman. Wandering through urban environments with a focus on the often overlooked, the hidden places, I collected data in the form of pencil studies and notes on paper but also as memories and engravings in kinesthetic physicality. Processing this field research in the studio created my way of working, its pictorial repertoire and the expressive gesture to start with. The physical wandering of the beginnings has been expanded to an artistic drift, touching new subject matters such as a phenomenological approach to anatomy, a long-time outdoor research on the relations between nature and human, the visuality of music at midnight, the expressiveness and storytelling of dance … As drifting goes, I take the liberty of touching new fields and concepts – but also the freedom of leaving them for new adventures (to return whenever I like). As every challenge has its specific character I grow on meeting them with a variety of materials, media, and style: pencil and watercolor studies, often in form of comprehensive series, whose minimalist intuitions pioneered a fine, unobtrusive side line for painting; large drawings in chalk and gouache on paper, that with their often rustic semi-figurative approach reveal my Weißensee academy of art roots; panel-paintings of different sizes in oil on wood (with their acrylic descendants) – the center of my doing, dancing out all that has been prepared; the aftermath of small mixed-media artwork on paper that uses cutting as a last step of composition. Physicality, intuition, concepts and gestures these days lead to a rich and more non-figurative way of expression. But, as it was from the beginning, it is still and for all time my greatest goal to transmit Lebenswelt, lifeworld, into a visual universe of painting and balance its elements in their new resort to make them resound.

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Artist featured by Saatchi Art in a collection

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