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It was late the other day when I found a good place to stay on a small island. In the morning I had been swimming in the lake, later I begun to make breakfast. The sun streaking through the trees lit pine needles lying on the ground. This is how the idea for the “Light” painting came up. I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
It was late the other day when I found a good place to stay on a small island. In the morning I had been swimming in the lake, later I begun to make breakfast. The sun streaking through the trees lit pine needles lying on the ground. This is how the idea for the “Light” painting came up. I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
It was late the other day when I found a good place to stay on a small island. In the morning I had been swimming in the lake, later I begun to make breakfast. The sun streaking through the trees lit pine needles lying on the ground. This is how the idea for the “Light” painting came up. I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.

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Original
Prints

Water 9 July 11:13 Painting

Robert Motelski

Poland

Painting, Oil on Canvas

Size: 130 W x 73 H x 2 D cm

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NT$93,362

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279 Views

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ABOUT THE ARTWORK
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It was late the other day when I found a good place to stay on a small island. In the morning I had been swimming in the lake, later I begun to make breakfast. The sun streaking through the trees lit pine needles lying on the ground. This is how the idea for the “Light” painting came up. I cannot r...

Year Created:

2017

Subject:

Nature

Styles:

Abstract

, 

Minimalism

, 

Figurative

, 

Modern

 

Mediums:

Oil

, 

Canvas

 

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

130 W x 73 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.

Robert Motelski was born in 1977 in Warsaw. In 1997 he graduated from The Art College in Warsaw. In 2002 he graduated with distinction from the painting department of The European Academy of Arts. His diploma supervisor is prof. Barbara Szubińska. Previously he had studied in the studios of Antoni Fałat, Andrzej Sadowski and Ewa Pełka. He has had over one hundred individual and group exhibitions. In 2004 he received the scholarship of the Art Promotion Fund granted by the Ministry of Culture. In 2008 he received “Młoda Polska” /Young Poland/ scholarship of the National Culture Center. His artistic interests focus on the study of a landscape and an innovative way of its presentation. His works are collected both in Poland and abroad and presented in numerous publications, e.g. “Encyclopedia of Polish Painting” (edit. 2012), and “Landscape in Polish Painting” (edit.2017).

Artist Recognition
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Artist featured by Saatchi Art in a collection

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