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Mirroring - Limited Edition 1 of 1 Print

Rakocevic Cvijanov Maja

Serbia

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in (€34)

12 x 9 in (€34)

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Black (€68)

White (€68)

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Metal: Light Pewter (€128)

Metal: Dark Pewter (€128)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Mirroring represents life-size silhouettes of office workers, cut out of plastic mirrors, with the intent to show a part of our familiar surroundings and the reality in which we are reflected. The silhouettes represent office workers in their everyday position at work.

Year Created:

2012

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My artistic practice relies on a personal approach, emerging from the sphere of the intimate and private, and bringing everyday life routines and roles imposed by tradition into the realm of dilemma. Using the language of naivety, kitsch, and junk as an artistic strategy, I challenge choices in relation to established stereotypes and social patterns. Within the artistic process, I focus on what is important on my path of authenticity. Analysing personal experiences, I dissect social constructs. Aspiring to revealing one’strue needs, I encourage the possibility of personal choice - as the path to authenticity in a society overwhelmed with stereotype and prejudice. My art imitates everyday life. Following that concept, I search for the most accurate expression and form for materialisation. Therefore, sculpture appears to me as an expanded field, from traditional form to complete abandonment of form, leaving only the area created for the event. In addition to beinga mother, a wife, a professionalanda housewife, I have a great need to fulfil myself through my work in art. Struggling with social and gender roles, as well as daily responsibilities, I borrow the time. Thus, life situations become material for creation, and the time that is "stolen" from everyday paid and unpaid obligations becomes a field in which it is possible to work and live a more fulfilling life.

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Erin Remington, Curatorial Director