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The Revolution Will Not Be Televised Print

Jaeme Bereal

United States

Open Edition Prints Available:
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24 x 30 in ($895)

24 x 30 in ($895)

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$895USD

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My rendition of what it means to be a Riot Grrrl, the feminist punk movement of the 1990s, in these days and times using heavy impasto for maximum texture and effect. The 1971 Gil Scott-Heron protest song from which the piece takes its name says it best: The revolution will not be right back After ...

Year Created:

2007

Subject:
Medium:

Print, Ink on Aluminum

Rarity:

Open Edition

Size:

24 W x 30 H x 0.88 D in

Ready to Hang:

Yes

Frame:

Not Applicable

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

I'm an Oakland, CA based painter and hair stylist, the latter of which provided the supports and independence to cultivate my art over the last 25 years. Music, politics and people are integral aspects to my work. Music elicits powerful visuals, politics and social issues offer opportunities to challenge and illuminate, and people's faces are multi-colored landscapes etched in a tangle of emotion and experience. My goal is to offer substance and context that bring people closer to real issues that affect us all. I regularly feature people of color, and my hope is to empower those who feel marginalized or somehow short-changed. I grew up amid the tumultuous 1970s in south central Los Angeles. Luckily, with excellent grades and scholarships, I attended UC Berkeley in 1981 for Fine Art, studying under the renowned ceramic innovator Peter Voulkos. However, due to a period of disillusionment, both politically and artistically, I dropped art completely for eight years. Upon my return in 1989, I dove in with a renewed appetite to explore past my limits. I even built an art studio and gallery inside my hair salon. At 40, I matriculated in a commercial art school, thinking to become a 3D illustrator. But it didn't take long to discover where I felt most at home, in 2D illustration and portraiture.

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