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Increatum Print

Seta Injeyan

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in ($51)

10 x 10 in ($51)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$51USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is from my Heart and Soul series. I was inspired by the pumping heart of a baby yet to be born. Increatum is a latin word and it means "which has not yet been created". I think it is a dynamic piece and symbolic of new birth. I love working with acrylic, because it is a very flexible, rich...

Year Created:

2019

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Seta Injeyan is a Los Angeles based visual artist. She is a leading Abstract Surrealist painter. Mat Gleason: "Her newest series of paintings, is a wide-eyed exploration of the very mechanics of the human body. Pulsating with bold, opulent colors and intricate compositions that at turns weave together or juxtapose the titular flows, these paintings reflect, at first sight, Injeyan’s fascination with the workings — and interrelationships — of internal organs. And while this could well serve as a purpose unto itself, as an impetus for a strictly esthetic study of biology, Injeyan pursues a far broader goal, seeking to discover layers and dimensions of meaning beyond the esthetic and scientific alike. "Peter Frank: "But whereas before Seta Injeyan was alarmed about this rude intrusion into empirical reality, she now delights in it. She is no longer badgered by her phantasies; if reality itself can’t be tamed, then she has at least come to accept, if not revel in, its unlikelihoods."

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