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An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink).
The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the remanins of historical henges. Th left side is a magnetic scan of a ground monument in germany. The magnetic scan shows mgnetic anomalies in the ground, clearly see is a circle structure with multiple "entrances" and a quadratic structure to the left. Which rituals were celebrated here in the stoneage?
A unique piece of artwork of my screenprint and silver gelantine cycle.
An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink).
The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the remanins of historical henges. Th left side is a magnetic scan of a ground monument in germany. The magnetic scan shows mgnetic anomalies in the ground, clearly see is a circle structure with multiple "entrances" and a quadratic structure to the left. Which rituals were celebrated here in the stoneage?
A unique piece of artwork of my screenprint and silver gelantine cycle.
An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink).
The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the remanins of historical henges. Th left side is a magnetic scan of a ground monument in germany. The magnetic scan shows mgnetic anomalies in the ground, clearly see is a circle structure with multiple "entrances" and a quadratic structure to the left. Which rituals were celebrated here in the stoneage?
A unique piece of artwork of my screenprint and silver gelantine cycle.
An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink).
The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the remanins of historical henges. Th left side is a magnetic scan of a ground monument in germany. The magnetic scan shows mgnetic anomalies in the ground, clearly see is a circle structure with multiple "entrances" and a quadratic structure to the left. Which rituals were celebrated here in the stoneage?
A unique piece of artwork of my screenprint and silver gelantine cycle.
An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink).
The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the remanins of historical henges. Th left side is a magnetic scan of a ground monument in germany. The magnetic scan shows mgnetic anomalies in the ground, clearly see is a circle structure with multiple "entrances" and a quadratic structure to the left. Which rituals were celebrated here in the stoneage?
A unique piece of artwork of my screenprint and silver gelantine cycle.

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TRACES III, 2001 / Silkscreen ink and oil on canvas Painting

Sven Jakubith

Germany

Painting, Silkscreen Ink on Canvas

Size: 160 W x 100 H x 4 D cm

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€1,154

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330 Views

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An early work which anticipates the work I am doing now almost 20 years later (see work in progress: DISTANT TRACES). The work is a colored (oil colors) silkscreen print (black ink). The right half is a an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological ...

Year Created:

2001

Subject:
Mediums:

Painting, Silkscreen Ink on Canvas

Rarity:

One-of-a-kind Artwork

Size:

160 W x 100 H x 4 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Sven Jakubith (born 1964 in Berlin) is a German artist whose work combines photography, collage, printmaking, and painting. His central theme is traces — the marks left by movement, memory, and transience. Jakubith studied physics in Berlin and earned his PhD in 1992. At the same time, he began artistic studies at the Freie Kunstschule Berlin, where he was particularly influenced by the collages of Robert Rauschenberg and the screen prints of Andy Warhol. The combination of scientific precision and artistic freedom became a defining tension in his work. His art is deeply connected to travel and sailing experiences. He crossed Southeast Asia by bicycle (Vietnam, Laos, Burma, Cambodia, Thailand) and traveled through Cuba and New Zealand. Beginning in 2015, he undertook several long-distance voyages on his own sailing yachts — from Mallorca across the Atlantic to the Caribbean, through the Panama Canal to Tahiti, and further across the Pacific. These journeys profoundly shape his visual language: the horizon as a line, the wake on the sea, the fleetingness of the moment. Jakubith works with a mixed-media approach: his own travel photographs are digitally processed, printed in large format, and then reworked with oil paint, collage, and silkscreen. The resulting pieces intertwine digital and analog techniques, making movement, memory, and transformation visible. The central motif is the trace — whether footprints on a beach, the wake of a ship, or trails of light on the horizon. In his images, these signs of impermanence are transformed into layered compositions that feel both documentary and poetic. His works are held in private collections in Europe and the United States and are traded internationally through platforms such as Saatchi Art. Jakubith’s biography makes his art unique: the experience of long journeys and ocean crossings, combined with a solid background in both science and art, leads to works that are intellectually sophisticated yet poetically accessible. His collages, prints, and paintings are visual explorations of movement, memory, and trace, inviting viewers to discover their own horizons.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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