"Raintree Effect IV" Drawing
Drawing, Pastel on Paper
41.9 W x 29.5 H cm
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$2,305 USD
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“She is clothed with strength and dignity, and she laughs without fear of the future.” ~ Proverbs 31:25 This part is called the Raintree effect. She is gorgeous, tall, and majestic yet so humble and filled with empathy. I see how she provides support for other plants who climb on her. She exudes ki...
Year Created:
2025
Subject:
Styles:
Mediums:
Mediums:
Drawing, Pastel on Paper
Rarity:
One-of-a-kind Artwork
Size:
41.9 W x 29.5 H x 0.3 D cm
Ready to Hang:
No
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Singapore.
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A multidisciplinary artist/researcher and practitioner with a background in Visual Cultures, Art History, and Conservation. Experienced in academic research, exhibition production, artefact care, and public engagement. Passionate about the intersections of visual cultures, Art, architecture, materiality, identity, and storytelling through curatorial and editorial practices.
Personal Work In Progress Project:
Underpainting – Project Blurb
Underpainting is a curatorial research project presented as a podcast, exploring the layered intersections of art, memory, identity, and material culture—particularly across Southeast Asia and Europe. Through conversations with artists, conservators, and cultural workers, the project investigates how surface and structure, repair and residue, shape both personal and collective histories. Blending oral histories, visual analysis, and curatorial reflection, Underpainting reframes preservation as both practice and poetics.
If you’re an artist, conservator, or curator based in Southeast Asia or Europe, and your practice engages with cultural memory, preservation, or storytelling, I’d love to hear from you. Underpainting is always looking to feature voices involved in thoughtful, material-based cultural work.
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