Sudip Roy

Abstraction's tenors and its expressionism have brought Sudip Roy to its matrix of moody momentuousness as you espie the grooves and limpid passages of the intentions of the mind in these works that read like fragments from time.Drawing simultaneously on photo-sensitive perceptions with a light hand and the dulcet design of colour's vapid vacuous tonality these works are as if Sudip adds a footnote to the history of abandoning,realism and merging into the magic of Abstract Expressionism.



It is the expanse of colour that makes curiously inviting tonal graphs of sites frequenting a certain perception that continues to coax abstraction from almost magical manipulations of smoke and mirrors,land and sea,and making beautiful landscapes that mirror the brink of an epiphany not unlike the works of the great Abstract Expressionists.



Sometimes the work is maximal in intent but sometimes it is minimal and it seems as if Sudip creates pictorial haiku by giving and using the in an internalized memory perhaps of open pages of books of photography, some of which he alters,or even the terrain of intrepid inertness that he has seen either from a n imaginary view or just in the cavernous recesses of his...