Timothy Wall

In this ever-shrinking world of sprawling housing developments, imported crops and digital communication there is most definitely room for landscape as a contemporary issue within art. Traditionally the Norfolk landscapes of Turner, Constable and the Norwich School of Painters were romanticised depictions of working farm life, what was often a harsh reality for the figures toiling in Constables fields. Because of the increasing import culture and growing population of this country, Landscape art today need not consciously romanticise rural life, rather I see a need to capture what is there (and importantly what is not there) before it is lost.

Coventry School of Art and Design, Coventry, GB,