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In the Balance Collage

William Cody

United States

Collage, Paper

Size: 40.6 W x 40.6 H x 2.5 D cm

Ships in a Crate

SOLD
Originally listed for $420

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

An exploration of the meanings and aspect of balance - life and death, posture, keeping warm. It includes touches of whimsy such as the man mowing the lawn at Stonehenge. While over them all looms the image of a woman assaying gold while nursing her infant. This was framed prior to being sold.

Year Created:

2012

Subject:
Mediums:
Mediums:

Collage, Paper

Rarity:

One-of-a-kind Artwork

Size:

40.6 W x 40.6 H x 2.5 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Born in Oregon, but raised mostly in California, I have lived in Trumbull since late 1987 (well, except for a three-year sojourn spent mainly in Pennsylvania, where I rediscovered a taste for the blues). When not working on my collages, I tend to what I like to call my “accidental” moss garden, read (a lot), write occasional poetry. I try to keep involved in community theatre, and get out at least once in a while for live music and dancing. My path to art was rather circuitous: Several years back I bought a book on handmade envelopes — and, after a while, rather than merely cutting out portions of pictures to make an envelope, started playing around, combining multiple images into small collages that could be turned into envelopes. From there it was a short, you could almost say inevitable, step toward full scale collages of varying size and complexity. I work mostly with pictures taken from magazines, brochures — anything with an image that resonates with me. I enjoy playing around with perspective, and there is usually at least one impossibility, perhaps a figure at once in front of and behind another. I do work thematically; there is usually a sense of narrative, of story.

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