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détail " Pop life"

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pop life Drawing

Delphine Armilles

France

Drawing, Ink on Paper

Size: 50.8 W x 71.1 H x 0.3 D cm

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$1,125USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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A travers ses oeuvres, principalement peintes, Delphine Armilles questionne notre rapport à la lumière artificielle, celle qui nous happe du réveil au coucher, nous déconcentre, nous aliene, nous éloigne du réel. en mettant en forme des images peintes de facture classique, figures d’enfants, de jeun...

Year Created:

2016

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

50.8 W x 71.1 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Silver

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Delphine Armilles lives and works in Seine-Saint-Denis, as a visual artist. After studying ceramics, she continued her artistic studies at the Beaux-Arts de Paris. During these studies, she experimented with various techniques, in addition to painting and drawing: mosaic, scenography, fresco ... His artistic activity is divided between illustrations and an extensive and varied personal practice. It begins, in early 2019, in parallel with a new series of drawings, a curriculum of replication of classical painted works, within a “imitator” workshop, through the study of these practices, learning ancient techniques, she broaden her regard and research in the service of a new direction of her works. By considering this learning period of new practice, as a moment of retirement, she gained the liberty that is required for this very long and incalculable and non-profitable time needed for her paintings. Through her works, Delphine Armilles questions our relationship to artificial light which fastenings us from waking to bedtime, un- distillates and alienates us, takes us away from reality. By setting figures of children and of young people, into painted imageries, in a classical methods and style, she offers us a disenchanted vision of the world, and of its mutations. She through light on the insignificant parts, which fills in all the empty spaces, creating a profusion of emptiness, generating sadness, isolation, and even violence and idleness, pointing on the lack of happiness in place of delight, where knowledge seems within a reach of the given displays.

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