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Imaginary Boy IV — Muteki (2024) Painting

Sebastian M Sync

Switzerland

Painting, Acrylic on Paper

Size: 21 W x 29.7 H x 0.1 D cm

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€613

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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“Imaginary Boy IV — Muteki” Acrylic on paper, 29.7 × 21 cm | 2024 — from the series “More Imaginary Boys” A soft-grey creature stands front and centre, all rounded contours and vacant eyes, as if sketched in vapour and then outlined to keep it from drifting away. One ear flicks up, three quick das...

Year Created:

2024

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

21 W x 29.7 H x 0.1 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Need more information?

Sebastian M Sync (b. 1973, Germany — also known in photography as Sebastian Mayer) is a multidisciplinary artist based in Zürich. Long before the camera entered his toolkit, he was drawing and painting: self-published comics in his teens led to a first solo drawing show in Berlin at nineteen. He later chose to study Media Art at the bildo akademie berlin, concentrating on photography and visual theory, yet painting and works on paper remained a parallel, continuous practice during years spent living and working in Berlin, Rio de Janeiro, Tokyo and elsewhere. Since founding his Zürich studio Die Hermeneutische Garage in 2020, Sync has focused on large-scale canvases, drawings and hybrid pieces he calls abstract comic expressionism—gestural, noise-inflected images that fuse abstract expressionism, Art Brut and comic iconography. The work channels repetitive mark-making, vivid colour and textual fragments, often developed to Japanese noise music and informed by Situationist détournement (the tactic of re-using or hijacking existing imagery to subvert its meaning). Photography released under the Sebastian Mayer name has appeared in Dazed & Confused, Wire, Spex and other publications, while Sync’s paintings and drawings have been exhibited across Europe and Asia, including underground shows at Berlin’s 'Ill Galleries' and the legendary 'Galerie BerlinTokyo'.

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