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Natakam or Puppet Show Painting

Ks Vass

India

Painting, Acrylic on Canvas

Size: 96.5 W x 101.6 H x 2.5 D cm

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Natakam or Puppet Show Natakam or Puppet show | Acrylic on canvas | 38″ x 40″ | Year 2010. In India, puppetry was practiced from ancient times. It is popular form of theatre. The puppets are a good subject matter for creative artists. ₹35,000.00

Year Created:

2010

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

96.5 W x 101.6 H x 2.5 D cm

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Vass is thankful to his father Sri Koppada Venugopalam who gave him life, art and wisdom. His mother Smt. Mangatayaru who gave him immense love and affection.His work appears spontaneous, yet the playfulness is assertively controlled. It is a double edged stock of a passionate painter in love with the process of painting and the necessity to give form to the psycho visual activity that happens in his self. The paintings of Vass do not fall in the category of “Abstract” as most of them are Representational, Semi-figurative and Expressionistic. As the free-style treatment of the surface and application of tonalities with subdued hues occupy the vast areas of the visual space, it evokes a sense of Abstraction. However, he makes a conscious challenge to recapture the sense of ambiguity employing both representative and non representative devices. Just like his favourite artist Francis Newton Souza, the formalistic disposition of the body of works predictably brings forth a voluntary mode of expressing meaning inhibited in its hidden structure/signification.

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