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I draw from the live model weekly and then work from those drawings in the studio. I try to capture the essence and gesture of the model within an abstract composition. I'm using pink quite a bit lately as it provides the contrast i'm looking for against the blacks and greys. All materials are archival. This piece is on a grey toned paper.

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Pink Line Painting

Karen Darling

Canada

Painting, Charcoal on Paper

Size: 45.7 W x 61 H x 0.3 D cm

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$517USD

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I draw from the live model weekly and then work from those drawings in the studio. I try to capture the essence and gesture of the model within an abstract composition. I'm using pink quite a bit lately as it provides the contrast i'm looking for against the blacks and greys. All materials are archi...

Year Created:

2016

Subject:
Mediums:

Painting, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

45.7 W x 61 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

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Need more information?

Karen graduated from the Illustration, Art and Design program from Sheridan College in Canada and worked as an Illustrator for many years before turning to painting and sculpture full time. 'My work has moved from semi realistic figurative work to figurative abstraction to completely abstract paintings. However, since I draw and paint from the live model weekly, I tend to produce both abstract and figurative/abstraction.....each informing and influencing the other. My work uses a very layered approach to achieve atmosphere, depth and ambiguity. Cold wax and oil, mixed with other media like charcoal and graphite, create a sense of history throughout the multiple layers. In all my work I strive for a balance between boldness and subtlety, definition and ambiguity, intention and 'happy accident'

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