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Data Flow Sculpture

Jon Whitbread

United Kingdom

Sculpture, Stone on Stone

Size: 10 W x 58 H x 10 D cm

Ships in a Crate

$16,020USD

Shipping included

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121 Views

3

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Red Mansfield is one of my favourite stones to work with. Here i have pushed it to its limits The image shows the piece on a stone plinth on an mdf plinth. Neither are included.

Year Created:

2017

Subject:
Medium:

Sculpture, Stone on Stone

Rarity:

One-of-a-kind Artwork

Size:

10 W x 58 H x 10 D cm

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am an artist based in Brixton, South London where I have lived for 26 years. I studied at the City and Guilds School of Art, Kennington and received my MA (Merit) in Fine Art from the University of Creative Arts in 2019. I worked as a stone mason and carver in and around London for 17 years and taught carving and sculpture at the Building Crafts College, London for 10 years. I am a published poet.
 I am interested in the data that flows to and fro across the porous border between the conscious and the unconscious mind and how we can be oblivious to this or probe it for meaning, truth and certainty. I am interested in the limitations of language in this transaction and our dependence upon it, and I am interested in what tools, processes and materials have to say.  
Working with minimal planning, I allow behaviour and material to engage with each other in cyclic mutual activation removing narratives, concepts and certainty from my work and getting lost in a labyrinth of making to better investigate notions of the equivalence of absence and presence, of the unseen windowed by the seen.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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