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Empty and not broken Sculpture

Dániel Nagy

Hungary

Sculpture, 3d Sculpting of Iron

Size: 302.3 W x 233.7 H x 256.5 D cm

Ships in a Crate

This artwork is not for sale.

20 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In my previous work I have explored the role of gesture in sculpture. I chose the Ensō circle in Japanese calligraphy as the main motif for my sculpture. The Ensō is essentially a completed or incomplete circle, which Zen monks create in a single movement following a long meditation. I make much of ...

Year Created:

2024

Subject:
Method:

Sculpture, 3d Sculpting of Iron

Rarity:

One-of-a-kind Artwork

Size:

302.3 W x 233.7 H x 256.5 D cm

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

Need more information?

Need more information?

Gesture in sculpture in my work of the gesture, which has long been a major theme in painting. but has received less attention in sculpture. but has received less attention in sculpture. In contrast to painting, where gesture is a and momentariness of the medium, in sculpture the uniqueness of gesture is bound up in the is technologically more challenging. This is why I make a significant proportion of my work in wrought iron, and and try to preserve the traces of the sculpture. These sculptures uncreated, accidental, and in the process of making the sculpture gestures of the material, which also allow the material to work to give a sculpture a unique and unrepeatable form unique and unrepeatable. At the same time, I am investigating what is the most minimal, the smallest gesture, that is enough to transform raw material into sculpture.

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