Sandra Patrícia Ferreira

The collection underscores the feminist and "hermaphrodite" sensibility of the designer and architect, highlighting the intricacy achieved through material selection rather than form. Utilizing paper, refillable pens, diluted pigments, and collages, the methodology adheres to ecologically and environmentally sustainable practices. The creation of drawings parallels the conceptual phases of architectural projects and musical compositions, allowing for fluid progression or intentional stasis at various stages. Additionally, the work critiques bio-mimicry in public building design and monumental sculptures, challenging its role in contemporary architecture. Rejecting "style" as a limiting methodology, the collection examines (im)materiality and (a)temporality. Titled Tomos, it critically investigates the interplay between 21st-century artistic quality and sustainable resources.

Escola Artística de Soares dos Reis
Faculdade de Arquitetura de Belas Artes
École d'architecture Paris-la-Seine (Erasmus)
Universidade Católica Portuguesa

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