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Painting, Oil on Wood
Size: 40 W x 30 H x 0.3 D cm
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You just simply pay 20 usd final respect shipping and customs charges.Guaranteed It is said that the Carnival of Venice was started from a victory of the "Serenissima Repubblica" against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honor of this victory, the people started t...
2008
Painting, Oil on Wood
One-of-a-kind Artwork
40 W x 30 H x 0.3 D cm
Not Applicable
Not Framed
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“For me, the creative process is a constant search for works that are not only perceived but felt. I believe the primary function of art is to transmit sensitivity and evoke sensations, establishing an emotional bridge with those who contemplate it. Once the work is created, art becomes an open space where interpretation is always a vital and subjective act, enriching the aesthetic experience for each individual.” Marco Ortolan – Architect and Visual Artist Trained in the plastic arts since 1985 at the Academy of Miguel Pérez Macías, Marco developed a strong foundation in drawing and painting, influenced by the Italian Renaissance and French Impressionism. Over time, he incorporated ballpoint pen into his practice, refining a technique that blends precision, gesture, and expressive linework. His body of work moves between two complementary languages: oil painting and ballpoint pen drawing, often enhanced with ink. The central themes—human connection, emotional depth, and urban presence—are approached with a quiet, structured, and introspective gaze. Marco’s oil paintings are known for their dense, atmospheric compositions. Using a restrained palette of blacks, greys, deep blues, and warm accents, he creates scenes that feel suspended in time: underwater moments, silent cityscapes, and gestures caught mid-motion. Color is used sparingly and intentionally, turning the canvas into a space of emotional tension. Works such as *Still the Water*, *Kissing Underwater*, *NYC Night*, and *Lovers* reflect this exploration of what remains unspoken. In parallel, his drawings on paper offer a more intimate and direct approach. Executed in ballpoint pen and occasionally touched with ink, these pieces reveal a meditative, deliberate linework. Each stroke is precise, each shadow carefully built. The drawings revisit similar themes—portraits, love, music, identity—but from a quieter, more personal angle. Notable works include *The Model*, *Loving You*, *Jazz (Charlie Parker)*, and *AFRICA*. What unites both series is a clear intention: to create spaces of connection. Marco’s works don’t seek to explain—they invite reflection. His style balances emotion with structure, graphic clarity with painterly depth, forming a visual language that speaks through simplicity, silence, and restraint. For a deeper look into his creative process and philosophy, you can watch the Interview with Marco Ortolan (https://www.youtube.
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![You just simply pay 20 usd final respect shipping and customs charges.Guaranteed
It is said that the Carnival of Venice was started from a victory of the "Serenissima Repubblica" against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honor of this victory, the people started to dance and make reunions in San Marco Square. Apparently, this festival started on that period and became official in the Renaissance.[1] In the seventeenth century, the baroque carnival was a way to save the prestigious image of Venice in the world.[2] It was very famous during the eighteenth century.[3] It encouraged licence and pleasure, but it was also used to protect Venetians against the anguish for present time and future.[4] However, under the rule of the King of Austria, the festival was outlawed entirely in 1797 and the use of masks became strictly forbidden. It reappeared gradually in the nineteenth century, but only for short periods and above all for private feasts, where it became an occasion for artistic creations.[5]
After a long absence, the Carnival returned to operate in 1979.[6] The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for the tourist trade. Today, approximately 3 million visitors come to Venice every year for the Carnival. One of the most important events is the contest for la maschera più bella ("the most beautiful mask") placed at the last weekend of the Carnival and judged by a panel of international costume and fashion designers.](https://images.saatchiart.com/saatchi/19227/art/2082324/additional_0bd4e9f39a446a3a4a4d9596bfa571ab76a0a615-AICC2-22.jpg)
![You just simply pay 20 usd final respect shipping and customs charges.Guaranteed
It is said that the Carnival of Venice was started from a victory of the "Serenissima Repubblica" against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honor of this victory, the people started to dance and make reunions in San Marco Square. Apparently, this festival started on that period and became official in the Renaissance.[1] In the seventeenth century, the baroque carnival was a way to save the prestigious image of Venice in the world.[2] It was very famous during the eighteenth century.[3] It encouraged licence and pleasure, but it was also used to protect Venetians against the anguish for present time and future.[4] However, under the rule of the King of Austria, the festival was outlawed entirely in 1797 and the use of masks became strictly forbidden. It reappeared gradually in the nineteenth century, but only for short periods and above all for private feasts, where it became an occasion for artistic creations.[5]
After a long absence, the Carnival returned to operate in 1979.[6] The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for the tourist trade. Today, approximately 3 million visitors come to Venice every year for the Carnival. One of the most important events is the contest for la maschera più bella ("the most beautiful mask") placed at the last weekend of the Carnival and judged by a panel of international costume and fashion designers.](https://images.saatchiart.com/saatchi/19227/art/2082324/additional_c0bdd5899428183dac25f066216da590cf70c934-AICC2-22.jpg)