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ABOUT THE ARTWORK
A work from the series “As If They Always Belonged To Each Other “ In my endless rummaging of my beloved flea markets, I came across a few very simple over painted etching prints. The attention to detail, was eye catching to say the least, these works were in one word, so complete!. I was reminded of Persian Artist, Sohrab Sepehri, poet of 20th century, who had once written in spring of 1945,that no piece of art can be that complete/perfect that it can not be improved upon. So with some hesitation, taking extreme care, realising what the original artist had accomplished, I went to work. I tried not to directly affect the pieces themselves and with the least amount of modifications, even by adding a small piece of paper; give birth to a new artistic work which may create even more meaning and deliver the message more loudly. For this, I opted for a collage. Through this method, I was able to keep the intrusion on the original works of art to a minimum. The title “as if they always belonged to each other “ describes my relation with the first artist. The delicate procedure of our works implies that we have belonged to each other in our aesthetics. The new piece is a mélange of me and pieces of history that I keep in my special chest of memories… Farshido Vienna 2019
Original Created:
2019
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DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
9 W x 12 H x 0.1 D in
Size with Frame:
14.25 W x 17.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Farshid Larimian (Farshido) is an artist with a chemical & petroleum engineering background, born in Babol/ Iran in 1983, raised in Tehran and has been living in Vienna since 2007. Farshido's first step and fundamental characteristic in his artistic creation process is discovering the aesthetic objects. Objects which are transformed into artistic objects, or used as a part in their construction. These objects are usually left alone, dusted in basements, garages, attics, secondhand stores or flea markets. There are two main differences between Farshido's artworks and the works of artists who use aesthetic objects as well. Firstly, he tries to glorify the historical value of the object and the talent of its creator. Choosing the nickname Farshido (which is the contraction of Farshid and others) is also based on this fact. Secondly, he tries to invite his audience to the opportunity of the aesthetic experience through his artworks. He leads them to a point of confrontation with exaltation, freedom, transgression, and rebellion of the objects, the aesthetic objects whose interactions form the artwork. His artworks sometimes use metaphors and sometimes lead the observer toward a direct sensory connection with the pieces and toward a personal revelation through delaying the meaning.
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