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16 x 16 in ($146)
Black Canvas
White ($150)
94 Views
2
Pencil and ink with ink wash on bristol board, 2010. Original art measures 8.75" x 12" Inspired by a visit to the Norman Rockwell Museum to see an exhibit by famed New Yorker cartoonist, and author of several beloved children's books (including Shrek and Sylvester and the Magic Pebble), William Steig, I came home and created this dark humored stand-alone comic strip. I was going through a dark period in my life and William Steig's brand of humor showcased in the exhibit was just the tonic I needed to break out of an artistic slump. I had done very little work with an ink wash before this. Most of the grey areas I created for my comics up until this point used either commercial tone sheets or a very fine point crow quill pen for some crosshatching, so this was a bit of an experiment, but I think it worked out pretty well here. So this was my attempt to recreate the look and feel of a William Steig comic strip. The stiffness of the character is offset by the swirl of the ink wash to create a nice tension that adds to the narrative set forth by the caption's premise.
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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I started writing and drawing my own comic strips and comic books when I was nine years old, and took a broader interest in art as I grew older, delving into painting, sculpture, and digital media. I started a weekly comic strip when I was a student at the University At Buffalo called Tales From the Dougside (yes, indeed, a pun on the George Romero produced TV series, Tales From the Darkside) in 1988. The satirical strip eventually migrated to a weekly entertainment paper, Nightlife Magazine in March 1992, where it ran until November 1998. In 1995 I self-published my first collection, SlackJaw, with three more following in 1996, and 1997. In 2000, My third book, Tainted Circus, was included in an exhibit of "underground publishing" at the University At Buffalo's prestigious Poetry And Rare Books Collection in Capen Hall. A chance encounter with musician Robert Fripp in 2005 led to a short story being published on the official King Crimson website, DGMLive in February 2012. This sparked a return to publishing in 2013. Eleven books have been created since, including a career spanning compendium, Antisocial Lawnmower in 2013, deluxe reprints of the original four books in 2015, and the most recent, The Nefarious Nomenclature of Norman Nigglebottom in 2020. Recently, Vermont's current Cartoonist Laureate, Rick Veitch, reprinted two of my strips in issue 24 of his experimental series Roarin' Rick's Rarebit Fiends. Tales From the Dougside derives its power mainly from pop culture, and artistically it has much more in common with underground and independent comics from the likes of Spain Rodriguez, Gahan Wilson, Robert Crumb, Rick Geary, Dave Sim, and Will Eisner with a dash or two of Frank Miller, Gary Trudeau, Gary Larson, and the more surreal eras of Jack Kirby and Steve Ditko's careers.
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