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ENDURING BEAUTY #7 Print

Jennifer Gabbay

Australia

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in (SAR 225)

9 x 12 in (SAR 225)

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Black (SAR 300)

White (SAR 300)

Natural Wood (SAR 300)

Metal: Light Pewter (SAR 563)

Metal: Dark Pewter (SAR 563)

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SAR 225

250 Views

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Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In these days of uncertainty I lost myself in inspirational reflection of historic times, forgotten icons of beauty that had many stories to tell if they could talk; and the beauty of flowers that would ornament ancient sculptures and artefacts. The ancient Romans and Greeks believed that objects, ...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

"The question is not what you look at, but what you see" Henry David Thoreau. Born Sydney Australia. Resided in New York City 18 years. As a Blue Mountains artist, my artistic practice combines observations from travel and personal experiences of everyday surrounding beauty. By reimagining subjects through the development of my own painting language is the essence of my work. My painting style is to disintegrate shapes and colours into fragments, a process of applying paint meticulously like pieces in a puzzle, thereby allowing images to develop like broken worlds pieced together for diffusion and distortion, movement and rhythm. The paintings’ themes can be figurative but are mostly of the floral and landscape world via energy and vibration. I have been a three-time finalist in the Portia Geach Memorial Portrait Award for women artists and a selected finalist + invited artist in many other exhibitions. Works are painted in oil on board, a support that lends itself very well to my work through the blending of colour saturation; this breeds lushness. The working process, an immersion of self, directs me to meticulously apply fine brushstrokes. Gradually the work comes into focus from genesis to intense layering of colour and mark-making. I generally work in series. The freedom to make contemporary art allows me to combine thoughts and materials, thereby responding subjectively and spiritually from concept to execution. All works are painted on board (unless otherwise specified). Boards are professionally constructed and have a solid frame on all four sides i.e. cradled - then the timber board top is attached. Timber is then sealed and primed followed by several undercoats sanded between these coats before the painting has been commenced. All my works are painted initially in acrylics followed by an oil paint layer and finally finished with a coat of varnish which protects the paintings and adds brilliance to the works.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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