VIEW IN MY ROOM
South Korea
Mixed Media, Acrylic on Canvas
Size: 46 W x 46 H x 1 D in
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The source of my power is a “point of infinity” - this is where everything started. Deep inside me exists a power of a dark-hearted beast, seething with rage. This collision of this power leads to the Big Bang of time and space by a physical speed. Due to this Big Bang, the sounds of my pounding heartbeat and racing breath are masked with white noise. At near-light speed, the existence of confusion and fear emerges as a distorted figure of the inside, reflected in a mirror. The Big Bang dissolves everything - even sharp light and endless power. Uncontrollably intense power and a burning desire are all scattered as pieces of fragments. The only thing left is the vestige of this very moment. Now numb to wrath and temporal pain, this beast is my fear. It is dashing in a parallel motion with me between the beginning and end.
Original Created:2022
Subjects:Automobile
Materials:Canvas
Styles:ContemporaryFine Art
Mediums:AcrylicEmbroidery Floss
Mixed Media:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:46 W x 46 H x 1 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
Born in South Korea in 1980, I have been passionate about expressing myself through car paintings since childhood. I viewed racing cars as the greatest human artwork, and pursued fine arts at Dong-A University, earning a Bachelor's degree in 2007 and a Master's degree in 2010. Over time, my artwork shifted from emphasizing external car beauty to portraying my unique style, incorporating elements of time, space, relationships, and culture. Currently, I depict distorted car shapes symbolizing the modern generation's pursuit of happiness and self-made paths amid fierce competition. Using acrylics, I employ a technique of scraping paint with a squeegee, and incorporate embroidery for artificial straight lines, speed, and temporal shapes.
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