VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Hardboard
Size: 52 W x 52 H x 2 D in
Ships in a Crate
Shipping included
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This work was inspired by a conversation with one of my children. At the time there were a plethora of Zombie Apoccolyptal-type films and TV series airing. This prompted them to ask me what we would do when the Zombies came. I answered as any parent would, with reason and care. I told them that there was no such thing as a Zombie, but the exchange got me thinking that; in a world where so much more notice is taken of appearance over substance there were a large amount of people walking around with inanimate body parts. Hair extensions, false nails, breasts, buttocks, teeth and coloured contacts. They are in fact a percentage dead. Zombies. This work is painted in my signature style, one that is generated from where I know not. This style has evolved over the years and is not a conscious affectation. It simply happens. I enjoy the way that different paints can do differing jobs but come together to express what I was hoping for.
Painting:Acrylic on Hardboard
Original:One-of-a-kind Artwork
Size:52 W x 52 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Painter and Writer Fine Artist www.deannetremlett.com Deanne Tremlett is a graduate of the Slade and Wimbledon College of Art. She has exhibited widely in group and solo shows and has work in private collections in the UK and overseas. Her work has appeared in The Evening Standard, The Observer, The Sunday Times Magazine, London Time Out and Evolver. “Fundamental to Deanne’s work is a celebration of the human form. Like many artists from Gaugin, Paula Modersohn-Becker and Amrita Sher-Gil onwards she has chosen to simplify, pare down and concentrate on the beauty of the body and to share the daily activities of play, sleep, sex and food with us the viewer. Scale is important to the artist as most of the paintings on exhibition are life-size or bigger. And in each work the model is staring out at us: a woman, a man, a child, but mostly women. In these mini dramas the child is absorbed in pulling away from his mother and the men are self-absorbed in stretching, reaching, moving away; the constant in these paintings is the woman staring out, confronting our gaze. These large-scale works invite us into the drama of the everyday and into the intimacy of home where hats are plonked on heads, a nurse’s cape acts as a prop with prim lace up shoes. Elsewhere two women, best friends by the title, lean in towards each other discussing, what? It is difficult to place the role of the men in the paintings as they act out their roles as more plaything than part of the daily drama: a bold move on Deanne’s part as she has chosen to turn the tables on woman as object and place ‘Frog, Ape, Chicken’ man in a series of awkward poses. This is life caught in the moment but, unlike a snapshot, these paintings are not to be glanced at and discarded but to be considered, admired, revealed to the eye and most importantly celebrated for the physicality of the paint and the pure joy of confronting our bodies and the dramas that we create.” Day Bowman.
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