VIEW IN MY ROOM
Slovenia
Sculpture, Textile on Soft (Yarn, Cotton, Fabric)
Size: 5.1 W x 2 H x 5.1 D in
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In the recent years I started to make soft-sculpture, because I was mesmerized by felt making. I use wet and dry technique. Making such kind of work takes incredible lot of time- between 15 and 20 hours for a small sphere of 12 cm in diameter …. ….This «Feltie«, called Chip1 is one in series of more small felt sculptures made of white and black domestic, coarse wool/fleece. The inspiration were chips and similar parts in electronic devices. I was playing with concentric lines of different width and length, making a specific line rhythm and relationship to the white background surface. They are hand-size and purposely made to be touched and taken into hands. They work well in a group of more of them together! They don't need any pedestals …..and can be washed if they get dusty. Here it's how you do it: hand-wash it gently in lukewarm water with a bit of detergent. Then rinse it and blot out the excess water with the towel then dry in the air. Because it's felted it won't shrink, change colour or structure! Don't be afraid of washing it if necessary! It makes a nice present! it's a perfect portable art piece and you can have it always with you:) Because felt in general is light and non-fragile it will be sent to a buyer only in bubble wrapped envelope. It's hand-printed signed: SABA ( in a semi -square )
Sculpture:Textile on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:5.1 W x 2 H x 5.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Slovenia.
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Slovenia
I'm interested in many things and I'm on the constant search of new ways to share my thoughts in the visual language, but also stories, universal human issues, issues concerning women and many more…. Therefore I'm also changing materials and forms in order to express this things! I think I don't have a particular style, because everything is subordinated. to the subject I'm interested in. I tend to shell the majority of »feeling« from the material itself. I use a huge range of materials:from classic sculpting materials (predominately clay, stone, glass bronze) to more contemporary ones, like plastic, fibre, felt, found objects, liquid….. to non-material mediums ( video., sound or animation). If I feel vulnerable I might choose felt to work with ( for "protection"), next time,if I feel like »falling to pieces«, I might decide to make sculptures made of multiple pieces that need to be assembled, or when I'm happy and content, I choose clay or metal, to show how strong I'm feeling…. So, there's clearly lndirect physical evidence of my mood/state on material itself!! I'd divide my work on two main complexes: The intimate (smallish) one and the public / large one. In the past I was interested in figure but also the fragments of the human body like hands, legs, bellybuttons, ears….although I don't work very much on figure nowadays I still return back to it now and then, because it's somehow the eternal source…. as it's for material:clay! I'm particularly interested in space, so I often work on site-specific installations. I love to work in remote places somewhere in the nature. For me it's more important the place , where I work, then how many people will actually see this work at the end…. That counts predominately for the public concept. When I work In small scale , the surrounding space is less important – although,it's never totally excluded- there I put a lot of emphasis on detail. I deal a lot with symbols and surrealistic visual language sometimes my art is very minimal, but sometimes rich in form and colour…There was time when I was quite influenced by Magritte, but also Cubism( after my travel to Africa in eighties) and Brancusi. In time of study also new English sculpture had huge influence on me , like Deacon, Kapoor, Woodrow, Caro , Cragg and many others from that generation! My art usually refers to ( personal) past events or premonition of the future or has critical, even sarcastic note to the modern society.
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