VIEW IN MY ROOM
France
Painting, Oil on Canvas
Size: 38.2 W x 57.5 H x 0.8 D in
Ships in a Crate
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A visit to the Musée d'art Moderne in Paris allowed me to immerse myself into the automated world as depicted by Delaunay, Leger and their camarades. The brightly coloured ferveur and complex gestures of the paintings are further exaggerated by the serenity of the hall in which they are placed. Light pours in from the huge windows to the right and beckons us to emerge from the spotlit interiors of the gallery wings as though stepping onto a stage where the paintings are the divas of a play. The hall is near empty. It is lunchtime. It is the best time to visit, to absorb oneself in the world of the creators. In this painting I wanted to depict the immensity of the space, the calm and tranquility and above all the incredible light and reflections the architecture allowed. The turmoil of the distant painting reflects in the natural stone flooring seemingly to fall into a infinite pool to find some peace at last. This painting is in thinned oil paint where it has been built up using several layers building an intense depth and richness of colour. . I allowed the paint to take its own course, letting gravity work its magic. Light is my greatest inspiration and the natural play of natural and artificial light juxtaposed is a constant interest. I like to observe the observers and their interaction with and reaction to the surroundings in which they find themselves as well as the objects placed within a space and their interpreted place within, by onlookers and me the artist, alike.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:38.2 W x 57.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Amanda Rackowe is an British-born artist, based in the Dordogne, France.. Born in 1964 in Oxfordshire, Amanda demonstrated a strong enthusiasm for drawing and painting as a child, winning several school and college art competitions, in which her unusual choice of subject matter often caused controversy between judges and the public alike. She pursued a career in theatre lighting and later in architectural lighting design. Throughout these years she continued to paint. Drawing inspiration from her career her take on her work is to ‘paint with light’; a concept that has become one of the influential factors in her painting. At a young age, Amanda had fallen upon the painting ‘Christina’s World’ by American artist, Andrew Wyeth - an early discovery that brought about an appreciation for sparse and open landscapes. The combination of these influential elements can be found in her work; appearing in her portrayal of the french landscapes she discovers on her travels and near her home, inspired by the light and expansive skies of particularly the Dordogne and Auvergne regions and the île d'Oléron. A nearby grain silo became a reoccurring element and subject of many of her paintings for over a decade, which enabled her to explore the effects of the changing light and seasons on the landscapes and skies surrounding it. In many of her stark landscapes, she poses reminders of a human presence; perhaps a lone figure, or a vehicle with illuminated headlamps standing in direct contrast to the natural light. The echoes of Man are never far away in her work; distant horizons punctuated by material elements, such as electricity pylons and wind generators, silos and telegraph poles. The diminishing perspective of the roads in the artist's works interpret a sense of constant continuation… often carrying a slight disquiet, reflecting our uncertainty as to where a road may lead us; a comment on our lives, an unfinished story with no defined ending. The roads of the Aquitaine landscape subsequently led to other places; into the city of Bordeaux, where the brutalist architecture, modernist bridges and Corbusier influenced buildings gave her the aspiration to find a new way to depict the scenes before her, many of which are often unconsidered in the blinkered vision of daily life. Here, the theme of isolation concurs within the crowded life of the city, hinted at amongst the concrete structures and hidden lives.
Artist featured by Saatchi Art in a collection
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