VIEW IN MY ROOM
Netherlands
Painting, Oil on Aluminium
Size: 13.4 W x 29.1 H x 1.6 D in
Ships in a Crate
Shipping included
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As hurricane Sandy gave her final wins, I arrived in New York with planes full of runners (ignorant of the cancellation) for the marathon of marathons. Ravage all around. Numerous firefighters and policemen battled the inferno, the flooded cellars, the snapped trees, the swishing electricity wires, the enormous damage to the subway and more. In the evening it was completely dark. On Sunday there was already a 'Global (Holland) Run' in Central Park. Supported by lots of applauding New Yorkers, handing out cups with drinks, rattling encouraging rattles. Heart warming. What a resilience! Parks, New York has more and more parks that appeal to the imagination. Less in sight are the many green roofs, roof gardens and living walls. A wonderful development, green lungs.We can't have enough of that. The flowers are in collage form and are included in the painting with oil paint.They crawl up against the wall, which provides extra movement to the painting.The painter has chosen a narrow vertical painting to emphasize the movement up to the sky of the climbing plants. Oil painting on aluminium, collage, medium vertical, ready to hang, framed.
Painting:Oil on Aluminium
Original:One-of-a-kind Artwork
Size:13.4 W x 29.1 H x 1.6 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
Mieke van Os is a multidisciplinary artist with a focus on mixed media constructions. She is increasingly working with things she finds in her environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives individuality to her work. She is looking for an unconventional but traditional shape with a twist. She also looks for composition in her sculptures, the separation of surface and color, as she also does as a painter. A way of working to study form more carefully, visually explore the new topography and rediscover familiar materials. In her work she wants to express something intangible, an atmosphere, a feeling. Her sources of inspiration are very variable and versatile. Whether a work was made 500 years ago or now, she borrows elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, her work is very diverse. On closer inspection, there is definitely a connecting line. An expression of how the mind reacts to things. Her motto is: “The horizon is infinite, it only knows a limit in ones head. Her goals are to further develop and explore her techniques and to experiment with (sustainable) materials, colors, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; she also wants to focus more on research in working with plant remains and other biomaterials.
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