VIEW IN MY ROOM
Portugal
Photography, Color on Paper
Size: 31.1 W x 9.1 H x 0 D in
Ships in a Tube
Shipping included
The series Perdas e Permanências runs through space-time intrinsic to everyday life. Wide plans and long exposures dictate the trajectory of the movement that separates present, past and future from Time itself. Moments of loss, in which only the nonexistent memories of who once were, floating in a vacuum remains. The transience of the present and the inconsistency of the past are mixed in the movement of ghost figures. This is a limited edition, printed on cotton paper with mineral pigments.
Photography:Color on Paper
Artist Produced Limited Edition of:10
Size:31.1 W x 9.1 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Portugal
With a BA in Fine Arts from the Universidade de Brasília (UnB), Raquel Pellicano is a photographer and visual artist, with authoral production and experiments in photographic language. She works in nude, portraiture, fashion, advertising and travel photography. By the age of 34, she is partner at f/508 Lisboa and Espaço f/508 de Cultura, teaches courses and workshops and is in charge of the photographic studio. Created the postgraduation course in Photography as Support for Imagination, which started in March 2018. Signed several editorials, with works published in magazines such as Vogue, Trip, VIP, LATAM Vamos!, Playboy and Traços. In 2012, held a lecture on photography and portraiture at Fnac. In 2020 participated on the podcast Filosofia de Bar, with Mayã Fernandes, and was featured on the project Coleção Particular, by Raisa Pina. Is now based in Lisbon and Europe.
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