Beijing, tongzhou, China
About Huichang Li
Huichang Li, 1962 born in LiaoNing, China Member of China Artists Association Member of China Calligraphers Association Currently Lives and works in Songzhuang Village, Beijing,, China Exhibitions 2009 exhibition of Chinese Contemporary Ink and Wash,Paris,France 2009 contemporary Arts exhibition of Ink Tradition and Perception ,Songzhang Art Center,Beijing 2009 "chinese Ink painting" Shanghai Zhengda Zhujiajiao Art museum 2008 "Art charity China-- China Contemporary Art International Tour Exhibition" 2008 2008 Sweden "chinese lan"----"katrinetorps"Chinese contemporary Ink painting exhibition 2008 The 2nd Chinese contemporary art document exhibition 2007 "100 Everloving Shuimo"The 2nd invite exhibition of the shuimo union of Songzhuang china 2006 the third Beijing biennial exhibition--Options for exhibition( The Prize of Excellence) the exhibition for celebration of the 50th anniversary of the founding of Liaoning Art Association. (the prize of copper) 1999 9th national exhibition of Fine Arts ,Shanghai Art Museum 1997 The First Exhibition of contemporary master calligraphy's selected works 1997 The Exhibition of Chinese Art for celebration of the return of Hongkong. 1995 The exhibition of painting of the three provinces in northeastern China ( The Prize of Excellence) 1993 the first national exhibition of Chinese Painting 1989 the third prize in the fourth national exhibition of calligraphy& seal cutting 1986-1992 the national exhibition of calligraphy& seal cutting for youth ( The 2nd, 3rd, 4th session) Haunting in the sky of keenly expanding modern city, there is a Ghost. The Ghost is satisfying the man's desire of consuming, as well as swallowing their pure spirits. Idealism, spirit of tragedy, awareness of savior, criticism, exposure, scoffing retiring and all the feelings of these sorts are spiritual struggling when thinkers in the city facing with shadow of pressure pouring onto their heart. Li Huichang has his own spiritual orientation"”to criticize wearing the transparent and detached shell, to kid world in a black and resentful way, to combine his fear, suppression and candidness into a poem. He is making his way to the hunting of the haunting Ghost. And the Oriental style hunting is backed up by his concealing worry, his deeply hidden rolling passion. Look at the crisis in the poem, which is more charming and thrilling than open exclaiming!...