February 2024
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interrelated, as proven by eyes that finally meet.
Photography, 16 W x 16 H x 0 D in
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from establishing such specificity to an existence
Photography, 16 W x 16 H x 0 D in
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stacked up in value piles, but where is the relief
Photography, 16 W x 16 H x 0 D in
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, modulated through so many individualized prisms,
Photography, 16 W x 16 H x 0 D in
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and yet true insofar as it can be regarded regular
Photography, 16 W x 16 H x 0 D in
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tendentially mired in mirrored perspectives, tried
Photography, 16 W x 16 H x 0 D in
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a reflex that reflects rather than deflects habits
Photography, 16 W x 16 H x 0 D in
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more accustomed to to grasping anything reachable,
Photography, 16 W x 16 H x 0 D in
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ending up in jumbled gestures, like gripping hands
Photography, 16 W x 16 H x 0 D in
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when the steps lead forward but return to the past
Photography, 16 W x 16 H x 0 D in
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and the question about the function of its utility
Photography, 16 W x 16 H x 0 D in
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, generally requiring a balance between usefulness
Photography, 16 W x 16 H x 0 D in
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apparent, but otherwise useful for any reiteration
Photography, 16 W x 16 H x 0 D in
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fills up the gaps enough to reveal itself, nothing
Photography, 16 W x 16 H x 0 D in
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in the sense that excess is an echo, or none of it
Photography, 16 W x 16 H x 0 D in
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the relational aspects tend to override awareness,
Photography, 16 W x 16 H x 0 D in
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in a sequence that can ever go beyond expectation,
Photography, 16 W x 16 H x 0 D in
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suppositions, detailed more than determined or set
Photography, 16 W x 16 H x 0 D in
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without distinctions focusing on fleeting or fixed
Photography, 16 W x 16 H x 0 D in
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wherein concern is included amongst considerations
Photography, 16 W x 16 H x 0 D in
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within spaces suddenly opened up, to possibilities
Photography, 16 W x 16 H x 0 D in
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suggested by the rhythms that reverberate tightly,
Photography, 16 W x 16 H x 0 D in
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or serving as an invitation, to feel the movements
Photography, 16 W x 16 H x 0 D in
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becoming things that could be considered, instead,
Photography, 16 W x 16 H x 0 D in
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interrupted in a manner that defies those matters,
Photography, 16 W x 16 H x 0 D in
, or how these moments blend over, onto a normalcy
Photography, 16 W x 16 H x 0 D in
displays, as groups wandering around in wonderment
Photography, 16 W x 16 H x 0 D in
especially when they are up to out in the ordinary
Photography, 16 W x 16 H x 0 D in
Evidently I am fond of people being in the street,
Photography, 16 W x 16 H x 0 D in
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