About Gayatri Artist
Born Guruvayur, Kerala, India
Travelled extensively all over India from the child hood. Lived with untouchables and laborers in various parts. Studied the life styles of marginalized people. Worked as a freelance architect of low-cost construction theory and made more than hundred houses to dwell poor society.
Hotel Elite International,Guruvayur - 1977
Museum Gallery ,Trivandrum 1980
Lalitkala Academy Gallery ,Kochi 1982
Chitram Art Gallery,Ernakulam 1986
Lalitkala Academy Gallery,Calicut 1990
Bajaj Art Gallery,Mumbai 1990
Jehangir Art Gallery,Mumbai - 1992
Jehangir Art Gallery,Mumbai 1994
Taj Art Gallery,Mumbai - 1994
Jehangir Art Gallery,Mumbai 1996
Museum Gallery ,Trivandrum 1996
Chitram Art Gallery, Cochin 1996
Leela Art Gallery,Mumbai 1998
Jehangir Art Gallery,Mumbai 1998
Lalitkala Academy gallery,Delhi 1998
Jehangir Art Gallery,Mumbai 2000
Lalitkala Academy Gallery,Calicut 2005
Lalitkala Academy Gallery,Cochin 2005
Rossitta Art Gallery Cochin 2006
Jehangir Art Gallery,Mumbai 2007
Art Entrance Gallery, Mumbai - 2008
Kerala lalitha kala academys Sponsored show,New delhi - 1977
Kerala lalitha kala academys Sponsored show ,Madras - 1980
National exhibition Mahakoshal Kala Parishad 1981,82,83
Ravivarma memorial exhibition ,Museum Dept.Kerala - 1981
Lalitkala academy annual show-1976 to 1982
South Indian art exhibition,VTI,Madras - 1982
Annual show ,Chitrakala parishad ,Thrissur 1983
Guild Art Gallery, Mumbai -1994
Affordable Art Gallery, Mumbai 1996
Heritage Art Gallery, Chennai - 1997
Gallery Hues, Banglore 2007
Juneja art gallery, Jaipur 2007
Artchill gallery,Amber fort ,Jaipur 2008
Lalitkala academy annual show - 2007
Aranyakam, an art dealing group cochin ,in association with hotel Taj Malabar cochin conducted an auction of ten paintings on February 5th and 6th 2007. It was the first art auction in Kerala.
More than 100 paintings were collected by the art dealers and collectors all over the world.(the list will be get on request)
The media like Hindustan Times, The Times of India, The Indian Express, The Hindu, On Looker, The Sunday Observer, Womans Era, Vanitha, and numerous regional publications written about works sparingly.
Published many studies on art and literature. Published 6 books also in Malayalam.
Directed short films, plays.
Acted in plays.
Designed numerous architectures.
Kerala lalitkala academy award 1976
National award from mahakoshalkala parishad, MP 1986
Landsmen award, Switzerland 1986
Punjab Blood bank Society Award 1987
Kerala Sahitya academy 1996
Khasak award 1996
Tel:91 + 0 + 9495332671
91 + 487 +2550883
SIGNS OF TRADITION, NOT WASHED AWAY BY NEW IDEOLOGIES
The artist in Gayatri is under going a metamorphosis. From the method of his earlier works he has grown in to the philosophical maturity of facts. This growth is evident in the choice of themes, colors and drawings.
For any painter rural scenes always tend to be nostalgic. But in Gayatris paintings the anxieties of the rural folks, who are afraid of the urban culture are portrayed. He copies it through de-constructional interpretation and also makes vacuum a theme. These are discussed in the Beyond the dreams series of paintings. But here it takes shape in three stages-worries and dreams, myth and dreams, culture and mythology- and points towards the de-construction of culture. The idea that when individuals become crowd culture is created is good for discourse. But as a peasants moral self mixes with his dreams it becomes a hesitation. The peasants left in this world are living with the traces of this hesitation. Their compassion evolves an inner text which draws them nearer. This is the specialty of the paintings in The farmer couple series. In this series space is not diverged in to memories and realities. It develops a confronting view point. Vertical and horizontal frames are blended and real and abstract aspects are brightened up. Thus the ray of hope of the abandoned becomes their promised land in Gayatris paintings. Here we can see the slick of poverty and sorrow.
In his works Gayatri has tried to reproduce folklores using tribal symbols and colors. In order that these folklores not lose their identity and relevance he presents recent history as a back ground. Terrorism and communal riots achieve new dimensions in his paintings as still shapes and symbolizes letharg
Future Shows: planning