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Study for a Dream Machine Drawing

Alessandro Neckels

Switzerland

Drawing, Charcoal on Other

Size: 50 W x 70 H x 0.1 D cm

Ships in a Crate

This artwork is not for sale.

474 Views

2

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Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Drawing on paper. Study on Automatic Drawing in a dream-like state. Various subconscious elements emerge and merge into a design plan for a machine that, perhaps, make dreams come true.

Year Created:

2013

Mediums:

Drawing, Charcoal on Other

Rarity:

One-of-a-kind Artwork

Size:

50 W x 70 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Q & A with Alessandro Neckels (excerpt) Alice Shay (curator) in conversation with Alessandro Neckels AS: Where do you find your ideas for your pieces? AN: In my mind "¨AS: How much of an influence do you think society has on your work? AN: Society influences my work because I live in this society, and I want to represent and criticize all the wrong aspects of our "civilization", in this sense my work is a political work. It's a struggle against a  predatory and self-destructing society. I try to show what is being done against nature; and with "nature" I mean not only our natural environment but also our bodies and souls, which are also going to be polluted. "¨AS: How do you think society has influenced your identity? AN: Society has tried to influence my identity but has not completely succeeded. Again, society in our world is an exploiting system (not defined by ideology, but by its squalid objects), which tends to uniform and flat out all differences between human beings, which are so important in order to be free and intellectually active. "¨AS: Do you illustrate any dichotomies of identity in your work? If so, how? AN: My work is a continuous paradox. It's difficult to differentiate between the two sides. "¨AS: Do you illustrate the influences of society in your work? If so, how? AN: See above. "¨AS: Do you believe inspiration occurs consciously, subconsciously, or both?  By "¨this I mean, do you think artists are always aware of what influences them? AN: Inspiration is always in the subconscious. "¨AS: What is the purpose of art? AN: Art has no direct purpose, but may help build a better world. "¨AS: Do art need to communicate to be worthwhile/good? AN: Art is art, and communications are intrinsic. "¨AS: What is your opinion of the aesthetic vs. ethical values of art? AN: Well, as I first heard of this, it was I think in an interview to some "very important" art critic during the last Venice Exposition, I almost threw up. What the hell are you talking about, I thought, art has no boundaries, art is a weapon. If used correctly, art can change the world, but you cannot limit art in such a way, using concepts like ethics and aesthetics. "More ethics, less aesthetics" was the slogan of the moment: I think in the art world there is a lot of very sick people.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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Curator - India Balyejusa

India Balyejusa, Senior Curator