VIEW IN MY ROOM
color pattern people on the beach felt pen, color pencils and acrylic on paper 2018 After A 3 months residency in New York At Con Arts, (now called the Bowery Union), i came back to Israel. Just before my departure i got a commission for writing and illustrations an article for Kluid Magazine. So i started drawing at the airport, and thought about the upcoming summer season of Tel Aviv. I missed the light so much while i was away, some smells, perfumes, sounds, and what you cannot put in a box, which are totally part of Tel Aviv Culture. tes this drawing and other from this serie were part of two exhibitions in tel aviv, and two publications for different magazines more infos jessica moritz.com
Drawing:Marker on Paper
Size:26.8 W x 19.7 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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