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3 - Récompense Installation

Patrick Victor Doppagne

Belgium

Installation, Textile on Glass

Size: 15.7 W x 19.7 H x 0.4 D in

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ABOUT THE ARTWORK

Couples Installation en six « Ready Made » + techniques mixtes La passion amoureuse en tant que telle consiste en une attirance exagérée et dominante, exclusive, pour quelqu'un. Elle engendre la souffrance morale. Étymologiquement, passion, de "patior" : je souffre, je subis. La passion est un fardeau, dont le sujet est esclave. Pour l’homme, être inter-subjectif, s'isoler du réel peut mener à la folie et à la mort. L'amour passionnel est concupiscent, égoïste et malveillant ; il ne consiste qu’en un désir de l'autre, qu’en possessivité. Il est donc, l’opposé de l'amour qui consiste à vouloir et à faire le bien des autres. Selon l'esprit asiatique, le genre yīn regroupe les éléments de caractère féminin, statique, restreint, centripète, froid, sombre, polygonal ou négatif et les nombres pairs ; le yáng quant à lui, comprend les éléments de caractère masculin, dynamique, expansif, centrifuge, chaud, clair, rond ou positif et les nombres impairs. Notons que le yīn n'a pas le sens du mal : le yīn et le yáng ne veulent en effet pas s’exclure l'un et l'autre, mais souhaitent collaborer pour réussir les choses entreprises. Spécialement conçue pour « Mobil’Art 2019 », donc tenant compte de l’espace imparti, l’installation « Couples » symbolise les binômes suivants : • Quête - Récompense • Confiance – Contrainte • Concentration – Inspiration Chacune et chacun pourra s’interroger quant à leur complémentarité et/ou leur antagonisme. couples Installation in six "Ready Made" + mixed media Love passion as such consists of an exaggerated and dominant, exclusive attraction for someone. It breeds moral suffering. Etymologically, passion, of "patior": I suffer, I suffer. Passion is a burden, whose subject is slave. For man, being inter-subjective, isolating oneself from reality can lead to madness and death. Passionate love is concupiscent, selfish and malicious; it consists only in a desire for the other, in possessiveness. It is therefore the opposite of the love of wanting and doing the good of others. According to the Asiatic spirit, the genus yīn groups elements of feminine character, static, restricted, centripetal, cold, dark, polygonal or negative and even numbers; the yáng meanwhile, includes elements of masculine character, dynamic, expansive, centrifugal, warm, clear, round or positive and odd numbers. Note that the yîn does not have the sense of evil: the yīn and the yáng do not want to exclude one and the other, but want to collaborate to make things happen. Specially designed for "Mobil'Art 2019", taking into account the space available, the "Couples" installation symbolizes the following pairs:     • Quest - Reward     • Trust - Constraint     • Concentration - Inspiration  Each and everyone will be able to wonder about their complementarity and / or their antagonism.

DETAILS AND DIMENSIONS
Installation:

Textile on Glass

Original:

One-of-a-kind Artwork

Size:

15.7 W x 19.7 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Ougree (currently Seraing - Province of Liege - Belgium ) on 11 August 1957. I speak French and it's very difficult for me to explain these technical and philosophical details in English. So I suggest you visit my website and my blog. Thank you for your understanding. My production is an intimate journey, it request the investment of the spectator. My motivation is sharing a vision of the world, art is the vector of communication; I consider that the institution can meet the spiritual and intellectual needs of the individual. Art project and positioning My achievements are reflected in a concept; they are the expression of "my dionysian inner need *". According to the Hegelian concept of ideational journey, I defined my generation as "Concrétisme Plastic". My Art Project is to represent the perception and the eradication of anxiety, facing the profound imbalance of today's world, injustice, and societal pressures and individual discomfort it causes, according to the scheme: - Idea: Design of the mind (Abstraction) - Concretism ideational (Written) - Subjective Concretism (Plan and staff)) - Concretism Objective (Purpose and universal) The essence of the medium, whatever it is, is the unique perspective, as well as the communication medium of the artist's relationship to the world. The subjective nature of painting allows me to interpret and remedy the inconvenience inherent in the real objective. Antagonism and ambivalence are attributable to changes in our lifestyles. My research suggests a return to universal values, Philosophical, psychological and spiritual, in order to balance the binomial - / +. The ultimate evolution of concept will be present (or represent) the mixture of the issue and its remediation in a single representation. My position therefore concerns the social and spiritual tensions and remediation, through representation. * - [ "In short, the effect of inner necessity, and thus the development of art, is a progressive externalization of the eternal goal in the subjective time. And so, on the other hand, the objective of the fight against subjective "Philippe SERS - Preface of the book Concerning the Spiritual in Art - W. Kandinsky. - For Nietzsche, in his first book "The Birth of the tragedy," Dionysus, is to be the most full of life and represents, beyond the orgiastic drunkenness, existential abundance, life as a creative power.

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