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Roseate spoonbil/ red squirrel detail1
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Roseate spoonbil / Red squirrel / Tomato frog Artwork

Malwina Jachimczak

Mixed Media, Acrylic on Paper

Size: 17.6 W x 39.2 H x 0 D in

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$430

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About The Artwork

The painting features various animals, with a tomato frog positioned at the bottom of the composition and a roseate spoonbill positioned in the centre. A squirrel can be seen jumping over them while a shoal of red fish circles around them. The overall colour scheme of the painting is inspired by the colour red, with each animal representing an element of human nature such as the heart, mind, or guts. The roseate spoonbill is a unique and visually striking bird that can often be found wading in shallow waters, using its distinctive spoon-shaped bill to sift through mud and water to find food. In some cultures, the spoonbill can be seen as a symbol of grace, beauty, and abundance. The roseate spoonbill may symbolize a connection to the natural world or a desire to seek nourishment and sustenance from one's surroundings. The squirrel is a common animal that is often associated with the idea of preparation, hoarding, and storing for the future. In some cultures, the squirrel is also seen as a symbol of playfulness, agility, and quick thinking. The squirrel may symbolize the importance of planning, preparation, and resourcefulness in our daily lives. The act of jumping over the other animals may also suggest a willingness to take risks or embrace new challenges. The tomato frog is a bright red and orange frog that is native to Madagascar. In some cultures, the frog is seen as a symbol of transformation, renewal, and rebirth. The tomato frog may symbolize the concept of metamorphosis or the ability to adapt and change over time.

Details & Dimensions

Mixed Media:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:17.6 W x 39.2 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare's crazy eyes that are following me in the studio. I use various media in Vases and Totems. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns. Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here - a framework within which it is fulfilled. Totems are popcorn-flavored ice cream - the flavour is nice, but a bit strange. A pink lynx stares at us with its yellow eyes, a squirrel swims with a shoal of fish, an ibis stands on the fox's head. Totems are a reflection of us - individuals. Mostly composed of three dominant animals, these animals represent our human rationality (brain), feelings (heart) and what we feel subconsciously (guts). Totems can illustrate what we are like, what we strive for, what we want to become. Vases are an exotic, salty-spicy-sweet ramen. All ingredients create a coherent composition, but each ingredient can be removed, eaten separately, or replaced with another. The space is conventional, it is invaded by flatness and lack of perspective. There are many contrasts here - geometry next to biological, soft forms. Elements bordering on realism are located next to schematic, simple forms. Light and dark, dense and tight next to spaces full of breath, they try to stay in balance here.

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