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AJANTA CAVE NO 26 AND 27, UNDER CONSTRUCTION Painting

Shovin Bhattacharjee

India

Painting, Digital on Canvas

Size: 101.6 W x 76.2 H x 0.8 D cm

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The architecture of Ajanta belongs to the great art-tradition of contemporary India. Architecture from the 4th century AD, is remarkable for its grace, elegance, restraint and serenity. However, the general character of the architecture of Ajanta tends towards a certain heaviness of forms. Ajanta ca...

Year Created:

2006

Subject:
Mediums:

Painting, Digital on Canvas

Rarity:

One-of-a-kind Artwork

Size:

101.6 W x 76.2 H x 0.8 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Shovin Bhattacharjee is a renowned artist from India, known for his work in painting, sculpture, digital art, new media art, and public art installations. He is one of the pioneers of digital art in India and was the first artist from the country to enter the NFT art auction. Shovin was born and brought up in Shillong and holds a BFA and MFA degree in fine arts from Assam University, Silchar. With nine solo exhibitions in India and abroad, he has made a significant impact on the art world. Shovin has also participated in several national and international exhibitions. Currently based in New Delhi, he continues to create art that inspires and captivates his audiences.

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