Golden future Painting

- STATEMENT- My job is in series essentially is a visual development of relations meeting between shape, color, line and emotion, within a specific field, seeking to build something out of nothing and sometimes symbols and images me reveal spontaneously. My challenge is its weight and balance. This halfway between abstraction and figuration. I do not analyze not conceptualize, build and destroy rather to unravel a portrait of the moment. Is the language I use to express my heart, I find difficult words. I paint in the paint layer upon layer, letting it happen and flow; in printmaking and especially lately in the monotypes, once scattered inks, I am interested in exploring the accident that occurs to them literally explode under the pressure of the press; it is time to time, up to capture all the right moments on paper or fabric. I hope to give my work a presence that grip, instead of releasing the viewer, after giving a look. Seeking catch the viewer by revealing images and emotion, not always obvious at first glance, viewers are unique in their perception that each takes its idea of ​​what has been felt and thought. I am a multifaceted artist, I draw the challenges of the different disciplines. It is an evolution in time, while the work is being created, to the point that I see an abstract representation of something I had not seen before and then let the work has its own presence. I identify myself with the thought processes and the work of Joan Mitchell, Cy Twombly, De Kooning, Helen Frankentaler. Jan Batzell and other