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The Skink's bird-like beak has a leather tongue. It has compound eyes to quickly spot moving objects.
The lower wings have a tapestry/wallpaper patterning for domestic adaptation.
The white oak frame is 3 inches deep.
The skink with its full wing display.
Backside has 2 keyholes for hanging, felted corners, artist signature, care info, plus evidence of the original cabinet hardware.

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Only Known Specimen: Butterfly Mimic Skink Painting

Elizabeth Criss

United States

Painting, Acrylic on Wood

Size: 25.5 W x 21.3 H x 3 D in

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ABOUT THE ARTWORK

Our world is full of mysteries. Some are yet to be discovered, while others have become extinction. Is the Common Butterfly Mimic Skink lost forever? Or does it reside in some undiscovered habitat? Are it's cabbage-like wings used to attract a mate or are they for camouflage. Did it develop tapestry-like lower wings in order to adapt to modern living? How does it ambulate with its vestigial limbs and prehensile tail? This piece is painted with acrylic on a reclaimed fiberboard cabinet door and as such, has fastener/hardware imprints on the reverse. The Skink's body is painted on paper mache. It wings are formed from birch plywood. The work includes a White Oak Shadow Box style frame. The panel is quite sturdy. It weighs approximately 15 pounds. The backside has 2 keyhole slots for hanging. A template for placement will come with the painting, along with a certificate of authenticity.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

25.5 W x 21.3 H x 3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Meet Elizabeth Criss, a talented Los Angeles native with a B.A. in art from California State University, Northridge. Her creative vision takes you on a striking journey through the complexities and wonders of everyday life. On top of that, she does it while keeping Mother Nature in mind! Elizabeth's art is infused with a deep environmental concern for sustainability, and she works magic with repurposed materials. She strives to inspire viewers to consider their environmental impact, shedding light on the negative consequences of disposable conveniences for future generations. Elizabeth's work truly shines with her passion for public art installations. Elizabeth has created awe-inspiring murals and dimensional installations for schools, special needs programs, and public libraries. She works to engage and inspire her viewers by transforming dreary spaces into vibrant wonderlands, igniting people’s imaginations and reminding us all of our boundless potential. Her artistic journey began when she enrolled her non-verbal daughter in a special needs school. The corridors were as dull as dishwater, and Elizabeth couldn't stand it. So, she dedicated a decade to infusing those hallways with innovative assemblage panoramas and vibrant colors. The result? Corridors full of motivation for children to discover their voice and recognize their strengths. Her recent "Message in a Bottle" installation at the Wildling Museum in Solvang, California, USA, immerses viewers in an underwater world, with peculiar fish, medicine bottle kelp, and lacey jellyfish cut from milk jugs. The installation invokes viewers to consider their impact on our oceans – and their ability to reduce plastic pollution. Elizabeth's tactile techniques create an engaging experience while reminding us that impressive accomplishments are attainable even in the face of daunting obstacles. The remarkable artistry of Elizabeth Criss has caught the attention of esteemed media outlets such as the Los Angeles Times, Daily News, and others. Don't miss the opportunity to explore more of her captivating work by visiting .

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