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Vincent Salvati
United States
Painting, Oil Stick on Other
Size: 14 W x 17 H x 0.1 D in
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My drawings and paintings are an examination of three major elements - color, surface and mark making. These nonrepresentational pieces give me the freedom to concentrate on and investigate more thoroughly the process by which I make them. The Circle Drawings and Stripe Drawings are done on translucent vellum giving the works a diffused feel. They are a continued study of color, surface, and line and concentrate on the underlying structure of the work. Keeping with a long tradition of color investigation these pieces examine unlikely combinations with often unexpected results. The process of drawing on vellum coated with turpentine does not allow for reworking a piece. Once the liquid dries the work is complete and any further painting would destroy the look. This time element keeps the pieces fresh and allows for very few changes during the process. These pieces are the product of a precise idea combined with a spontaneous execution. This piece is 17x14 inches and is not framed. Only high quality materials were used to make this piece of art. Please inquire if you have any questions at all.
2014
Oil Stick on Other
One-of-a-kind Artwork
14 W x 17 H x 0.1 D in
Not Framed
No
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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BIO - Vincent Salvati is a multi-media artist who uses abstraction as a language to portray his feelings, dreams, and sentimentalities. Salvati was born and raised in close proximity to New York City, which would become a big influence on his work. From an early age, the personality and hardiness of the city and its extremes made a lasting impression. Salvati began his art education at the Fashion Institute of Technology at the age of sixteen where he began to explore his abilities and refine his aesthetics. He then attended Pratt Institute where the foundation of his painting practice solidified. Salvati has always sought to have an exchange with his audience via conversation, interactivity, or collaboration. Among his many solo and group exhibitions are The Paterson Museum, George Segal Gallery at Montclair State University, The Montclair Art Museum, and his inclusion in the New Jersey Arts Annual at the New Jersey State Museum. He served for seven years on the board of directors for the Jersey City-based non-profit, Pro Arts. He received his graduate degree from William Paterson University, and currently lives and works in New Jersey.
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