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War-elephant Painting

Dirk-Jan Zetstra

Netherlands

Painting, Oil on Soft (Yarn, Cotton, Fabric)

Size: 65 W x 60 H x 1 D cm

Ships in a Box

This artwork is not for sale.

2577 Views

48

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

War-elephant .

Year Created:

2015

Subject:
Styles:
Mediums:

Painting, Oil on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

65 W x 60 H x 1 D cm

Ready to Hang:

Not Applicable

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Bio My name is Dirk-Jan Zetstra. I was born in 1984 in Groningen, The Netherlands, where I still live and also have my studio. As for most artists drawing and painting is in my blood and I was busy with it from early childhood. It also runs in the family. My father had wanted to become a painter as well, but was advised against it as it is hard to earn a living that way. His enthusiasm for art he passed on to me. When at first drawing as a hobby, I noticed that I had been given a talent for it. I decided I wanted to develop those talents. I started by following studies in graphic design in Zwolle. During my studies, however, it became clear to me that graphic design consists of a lot of computer work and little drawing. So I switched to Art Academy Minerva in Groningen to study painting. I graduated in 2010. My work I work with oil paint on canvas. I always start with a layer in grey tones to create a tonal unity. Next I apply thin layers of colour: layer upon layer and colour upon colour to obtain optical effects, depth, and deep and lively colours. I only work with earth tones, blacks and whites to prevent the colour from drawing too much attention to itself. In this way I try to capture a stillness that is timeless. I also work with a knife and thick layers of paint in order to create a thick texture and optical effects. The so called ‘clair-obscur’, the contrast between light and dark, plays an important role in my work. My paintings are often genre pieces portraying daily scenes with people doing their day to day activities. Lately I have started to make oriental works, often with a biblical background. I also make portraits in commission. Motivation The concept of vanitas is an important theme in my work. Vanitas means ‘idleness’ or ‘transitoriness.’ ‘Vanity of vanities,’ says Ecclesiastes, ‘everything is vanity and chasing of wind.’ It is a theme that was used by many painters of old. What is the meaning of existence? You work, eat and do things, but to what end did God create us? To love God and our neighbour as ourselves. That is why I am so fascinated by human beings, who are the crown jewels of creation and stand closest to God. The play of light in my paintings discloses something the meaning of our human activities, as if human beings are toiling and labouring in the light of God to develop the earth.

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