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from the glassworks: Solaris 12 Painting

Juliet Vles

Switzerland

Painting, Mixed Media on Wood

Size: 39.4 W x 31.5 H x 2 D in

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Artist Recognition

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Featured in the Catalog

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Featured in Inside The Studio

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Artist featured in a collection

About The Artwork

NEW GLASSWORKS Between 1997 and 2003, I made a great many installations and sculptures of industrial glass - a medium difficult to handle but unique as to its infinite esthetical possibilities. These works were regrouped and shown as The Glassworks. The new glassworks that have been created in the course of this year are a logical continuation of the initial series and draw on the technical experience I acquired during that period. REVERSE GLASS PAINTING The technique of reverse glass painting consists in painting the back side of a glass panel which is then reversed so that the mirror image can be viewed through the glass. The artist plays with light, transparency and reflexions to create abstract and luminous works, often combining the glass with other material like paper, collage and wood.

Details & Dimensions

Painting:Mixed Media on Wood

Original:One-of-a-kind Artwork

Size:39.4 W x 31.5 H x 2 D in

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Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see https://goo.gl/photos/t2kdxM7C4ZjQBy8eA

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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