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Klint / reDux / chrm - Limited Edition of 24 Print
United Kingdom
Printmaking, Pigment print on Paper
Size: 26 W x 20 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
About The Artwork
Le Klint studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So of course I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that bring the geometry to life. The first piece I drew, ACDH (acid house), uses a palette of highlighter pen colours, CHRM (chroma) is a more established blue and orange variant, whilst KBRK (Kubrick) is altogether darker, with a more spiky geometry, as the name suggests. More recently I made the JDRBNK variant (Jodrell bank) as a larger photographic work mounted to Perspex. It’s cut into 3 unequal parts, to emphasise the horizontal joints of the original model.
Details & Dimensions
Printmaking:Pigment print on Paper
Artist Produced Limited Edition of:24
Size:26 W x 20 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.
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Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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