VIEW IN MY ROOM
India
Printmaking, Watercolor on Paper
Size: 14.8 W x 22 H x 0 D in
Ships in a Tube
Shipping included
The following, written on the completion of the work itself, in February 2016: There is a lot that could be said on the subject of solitude; my views on it, change every hour, suggesting, if I observe carefully, my reluctance with it, dread of it. It is like that, in my weakest moments, I imagine, as of a lamb having just realised, that it is being led to its slaughter, and which trembles and cries but in vain; its agitation is irrational, but it cannot see it. However splendidly supreme the acquiescing in it may be, in one's loneliness, it is acquiescing nevertheless. This is the first picture I have made for which I find myself clouded in my mind to such an extent that words truly do fail me; producing anything less than tomes and tomes of the deepest poetry- the absolutely highest Romance, seems to be insufficient, lacking in the seething sharpness that is really felt. But whatever be the case, I am convinced, that it is prerequisite for many important things. All farthest-reaching significance can be achieved only by the true individual, who must not, never, despite everything, surrender truth for merely happiness. I'm afraid I can say nothing more at the moment, not because I have nothing to say, but rather too much, and not because I expect un-thought-out sympathy, but because I have begun to loathe it. It is only due to the last shreds of that delusion which sees art as a profession, I admit, left in me, that I make myself still public in this way, knowing in my more honest self, that it is not in fact much more than delaying what must be done. This, should be the last instance of such self inflicted humiliation; until I can see more clearly, there is no point in my sharing this pathological wallowing in melancholy. What has been seen, cannot be forgotten, but it can, I have faith, be transcended. The original not being on sale, high quality giclée prints are available on archival 310 GSM Hahnemühle paper, 1:1; printed using archival inks, these prints will last one a lifetime. Though, really, it does not make much sense in limiting the number of editions of a digital print, as I also indeed wish to control what aspects of quality I can (by way of supervising printing myself, and thereby being excluded from being able to sell open edition on Saatchi), I have decided to limit them to 25. As regards the costing rationale: having attempted selling my prints, previously, at their cost prices themselves, and having left the evaluation of my labour upon my customers to decide- and consequently, not having been able to make ends meet, I have decided, for the first time, to set a fixed profit for myself, in keeping with current practice. Wishing to remain entirely honest however, I must add that it costs me ₹475 per square foot to have the print printed, and ₹100 to have the original scanned, besides which packaging can be accounted for by adding another ₹1000. Entirely unable myself to set a price upon my work, I have chosen what I've seen on Saatchi itself being set for other similarly sized prints (choosing to remain still on the more reasonable side of things). It is for me, really, I must admit, an experiment, this.
Printmaking:Watercolor on Paper
Artist Produced Limited Edition of:25
Size:14.8 W x 22 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:India.
Customs:Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
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Arjun Shivaji Jain received a Master of Science in Physics from the Indian Institute of Technology in Roorkee, Uttarakhand in 2014, and a Post Graduate Certificate in Art and Science from Central Saint Martins of the University of the Arts in London in 2016. Recipient of multiple scholarships and fellowships instituted by the Department of Science, Govt. of India, and having worked at the Indian Institute of Technology and National Science Academy in Delhi, and the National University of Singapore, he has assumed various disparate roles over the years (including, but not limited to, waiting tables, invigilating galleries, housekeeping, gardening, felling trees, & teaching). Self published and well-travelled, he is serving at present as the first Young Companions' Representative of the Guild of St George, UK, whilst working, in a personal capacity, as a visual artist. He is proprietor of the John Ruskin Manufactory and Red House in Delhi, where he currently resides.
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