Carolina Leiva

Born in a certain year of the 70's. Raised in Buenos Aires, the capital of the Argentine Republic, where I have resided ever since.
One of my first memories is trying to sleep and beginning to imagine space and not being able to understand the concept of Infinity. It caused me a lot of anguish not being able to understand it. I related it to religion, the concept of eternity, which I couldn't understand either. I think that from there I always had an interest in those concepts, the verifiable and the mysterious. The point where Science becomes so complex that you just have to surrender to believe in miracles.

As for visual art, perhaps that athmosphere of mystery is what I like to express.
When I make faces, I end up mixing a bit of reality in the looks, but not so concerned about the the academic correctness, to maintain the spirit of the unreal.
When I draw a landscape, I try to brig that feeling to me, like the one expressed in that landscape. And they are often lonely for that reason. I enjoy introspection but I live in a big city that often stuns me.

As for the abstract, in 2020 and in this pandemic context, I have gone through a moment of mandatory isolation. And like everyone else, I have surely transformed more q...

I'm trained in Art Direction, Master Practitioner in Neuro-Linguistic Programming, and Reiki. I ventured into Communication careers, Informatic Systems and more recently, psychology.
At the moment (2020) I am interested in Biodecoding and I began to study the history of the Tarot, from a non-divinatory vision of the future, but seeking to find if an impalpable energy can be channeled in such a way that, through intuition, I can decode a message that makes sense and serve to bring to consciousness notions that were already in the unconscious.

2009 Exhibition, Carlos Regazzoni’s Atelier
2010 Exhibition by International Artists, Opera Gallery, Budapest
2012 Collective Exhibition, Serpa, Buenos Aires
2018 Collective Exhibition, Fundación Gannon Dhers, Buenos Aires
2019 Exhibition, Fundación Gannon Dhers, Buenos Aires.