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View In My Room

SETTING SUN Print

Liz Graham-Yooll

France

Open Edition Prints Available:
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Canvas

Canvas

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16 x 20 in (C$168)

16 x 20 in (C$168)

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White Canvas

White Canvas

Black Canvas

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White (C$224)

Black (C$224)

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C$168

148 Views

9

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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We moved into our French home five years ago and we both loved the huge Lime Tree at the top of the garden. There are certain days, especially in the winter, when the setting sun throws its glow onto the branches and I am stopped in my tracks by it. So it was inevitable that one day I would paint it...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

I live in SW France in the little known " département" of the Aveyron which is part of the larger Occitanie region; this new name encompasses the two regions of Languedoc-Roussillon and Midi-Pyrenées. I moved here from Tuscany, where I have lived for many years, just four years ago I am principally a landscape painter and I love to work "en plein air", when I can. With good reference from my painting experience outdoors, I also work my ideas up from my sketches, photographs and small oils onto larger canvases in the studio. I used to always paint large canvases in situ outside, but I eventually found it was very good to remove myself from the view after a while, painting in a looser way using my visual memory of the moment. Apart from anything else, the weather would often change completely in the middle of my painting and I would have to finish it in the studio anyway. Coming back to a painting in the calm of my studio, I feel I can get a better idea of the fleeting moment and treat the canvas as a painting and not a photographic image of what I had been looking at. I also love painting still-life which I mostly do in the winter and these paintings also range from small to large canvases. My recent exhibitions have been in London, but I am now looking at future possibilities in France for exhibiting my work, as well as trying Saatchi Art online. It's all a new experience for me!

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